The Moog Sub Phatty is a two-oscillator analog synthesizer that's true to the style of vintage Moog synths -- with all the bells and whistles you'd expect from a Moog, and a few modern twists. It's got 25 keys, 31 knobs, and 13 switches, giving the player hands-on access to articulate sound-shaping capabilities. With two oscillators plus the Sub bass oscillator, an LFO, a noise generator, the Moog Ladder Filter, and Moog's new Multidrive circuit for distortion, this compact Moog monosynth makes it fun to hone in on the sound you're looking for. And once you've dialed in that awesome lead or synth-bass sound, you can save your favorite settings in 16 slots.
Moog Multidrive: Overdrive Your Synth
The Moog Sub Phatty is also the first synthesizer to feature Moog's Multidrive section, which adds warm overdrive when set to low, and turns the Sub Phatty into a screaming machine when dialed up. To build a gritty, harmonic-soaked synth sound, start by pushing your oscillator level controls past noon to begin overdriving the input of the filter section. Then, grab the Multidrive knob to dial in more overdrive, post-filter.
Sub Phatty for Sub-Bass
This little synth gets its name from the Sub oscillator found in the mixer section, which adds a square wave one octave below the primary oscillator to add some womp to your waves or build bassy percussive sounds. Between the Sub Phatty's two main oscillators, the noise generator, and the Sub osc, you have a seriously heavy toolbox for creating massive basses and cutting leads.
Analog Music Production Machine
A Moog is not just a synthesizer -- it's an analog music production machine. Whether you're looking to create luscious melodies and harmonies, deep basslines, or psychedelic synthetic percussive sounds, this synth can do it all. With a 25-key layout and total control of the internal analog engine, the Sub Phatty can cover a broad range of music styles, from classic rock to modern pop to industrial. And with 5-pin DIN MIDI I/O as well as USB MIDI, the Moog Sub Phatty is ready to integrate into your DAW rig.
- Monophonic analog synthesizer with 25 semi-weighted keys, 31 knobs, and 13 switches
- 16 user-assignable patches
- Pitch bend wheel and modulation wheel
- Six modulation types with source and destination options
- Two variable waveshape oscillators (one square wave sub oscillators and one noise generator)
- One 1/4 input for external instruments, one 1/4 out, one 1/4 headphone out, MIDI in/out, and USB connection
- CV/Gate inputs: filter CV, pitch CV, volume CV, and KB gate
If you're browsing analog synthesizers, then there's a good chance you're already familiar with Moog Music, and the pioneering role the company has played in the analog synthesizer marketplace since the 1960s. The 25-key Moog Sub Phatty continues the tradition, and is a great tool for dialing up phatty waveforms in any music production studio.
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AnalogNumber of Keys:
25Type of Keys:
Pitch Bend, Mod WheelPolyphony:
- 2 Variable Waveshape Oscillators
- 1 Square Wave Sub Oscillator
- 1 Noise GeneratorOscillator Calibration Range:
22Hz - 6.8KHz.
Guaranteed note range at 8' of Note 18 to 116Mod Sources:
Triangle, Square, Saw, Ramp, SH, Filter EnvelopeMod Destinations:
Pitch, Osc 2 Pitch Only, Filter, WaveshapeFilter:
Moog Ladder Filter 20Hz-20KhzAudio Input:
1xTS, 1xTRS HeadphonePresets:
4 Banks, 4 Patches Per BankMIDI I/O:
DIN In, Out, and MIDI over USBCV/Gate Inputs:
Filter CV, Pitch CV, Volume CV, KB GateTransposition:
+/- 2 OctavesLFO:
Filter Velocity Sensitivity
Volume Velocity Sensitivity
Ext. Audio Level
Osc2 Beat Frequency
VCO Gate Reset
LFO Gate Reset
Pitch Bend Up Amount
Pitch Bend Down Amount
Wave Mod. Destination
LFO KB Tracking
Filter EG Reset
Amp EG Reset
MIDI Ch. In
MIDI Ch. Out
14-Bit MIDI Output
MIDI Path In
MIDI Path Out
MIDI Merge DIN
MIDI Merge USB
- Dimensions and Weight in Packaging
- Shipping Weight: 21 lbs
The Moog Sub Phatty has the soul and hands-on control of a vintage Moog synthesizer in a completely new, aggressive sound design machine. It has 25 keys, 31 knobs, and 13 switches that connect you directly to the analog heart of this powerful instrument.
Its oscillators have been designed to perform with unmatched clarity, and accuracy in any environment with no warm-up time necessary. They are fat, punchy and loaded with harmonic content.
A new Multidrive circuit in the filter section totally transforms the sound of this analog synthesizer into a screaming beast. Create gritty attack, asymmetrical distortion, and saturated hard-clipping sounds that tear through the densest mix.
The mixer section houses a powerful square wave sub oscillator designed to add depth, thickness, and side splitting bass to any sound. In addition to this, a specially voiced noise generator has been incorporated for sculpting hard hitting, all analog percussion sounds and other sound effects.
The Sub Phatty joins the Moog arsenal with a new and boldly unique voice. Its engaging and dynamic interface fuses a connection between man and machine that opens the door to unprecedented sonic exploration.