When the original HR-series speakers were released back in the '90s, Mackie set a new standard for studio-quality reference monitors. Their high power-rating, ruler-flat frequency response, and precise sound reproduction gave engineers and producers a whole new level of mixing accuracy. In this decade, the HR824MK2 surpasses its predecessor with even better sound quality and an upgraded design.
250 Watts of Bi-Amplified Power
Some studio monitors are passive, requiring external amplification, and some are internally powered. While all active monitors are internally powered, not all powered monitors are bi-amplified. Mackie's HR824mkII monitors contain individual power amplifiers for each driver in the enclosure -- 150 watts for the 8.75" woofer and 100 watts for the 1" tweeter -- where other powered monitors use a single amp for all drivers.
Because it takes much less power to drive a high-frequency tweeter at high volume than a low-frequency woofer, single-amplifier monitors tend to sound unbalanced. When the tweeter is producing comfortable highs, the woofer is probably underpowered. Crank up the volume to get more bass, and you're pushing the highs too hard. There may be applications where you can get away with this, but accurate mixing isn't one of them. As one of the few speaker manufacturers that also build their own amps, Mackie is in a unique position to tightly match the power with the driver. HR824mk2's contain two FR-series amps, specifically rated to push each speaker to its optimum performance level. You'll have plenty of headroom across the entire frequency spectrum for a detailed mix at any volume.
All About the Woofer
Obviously, speakers are crucial to the performance of any monitor system. Fortunately, Mackie uses only the best. The 8.75-inch long-throw woofer in the HR824mk2 delivers punchy, controlled lows for increased clarity at the bottom of your mix. The stiff, mineral-filled cone reproduces low-mids and below with crisp definition, and is strong enough to handle all 150 Watts from the matched fast-response amplifier. When bass frequencies are muddy in the mix, it can be difficult to know how they will sound on the home stereo or in the car. Since most commercial audio systems are tuned to boost the bottom, even a slightly bass-heavy mix will be exaggerated when it reaches your audience. The HR824mk2's woofer gives you better sonic control for the most accurate listening experience.
Producers often steer clear of small-format monitors, because they want more bass. After all, how can an eight-inch driver get as low as a fifteen-inch driver? Never fear, the Mackie HR824mk2's produce all the bottom end you can handle. The woofer is coupled with a 6x12-inch passive radiator for increased bass response and clarity. Servo-feedback circuitry closely monitors the motion characteristics of the woofer, and automatically applies damping control through the honeycomb-pattern radiator. This constant correction produces clear, tight rumble, all the way down to 35 Hz! The HR824mk2's give you well-defined articulation of individual bass notes and kick drum thumps, rather than a general sense of low-end tone. When you can better position the bass, drums, and keyboard in the low-end spectrum, the whole mix becomes tighter. The energy works together to push the music forward instead of fuzzing-out the rhythm and muffling the song.
High-Performance Metal Tweeter
Many monitor manufacturers use a fabric-dome tweeter, but Mackie prefers metal. Their extensive testing uncovered a 1-inch aluminum alloy tweeter that outperforms fabric-and they made sure to include it in the HR824mk2's. Laser vibration analysis reveals rippling and undulation in fabric domes, while the aluminum exhibits true pistonic motion. This translates into a more efficient speaker for less heat buildup and smoother high-frequency response. With a 100-Watt amp for the highs, thermal control is key. You get more natural-sounding vocals and instruments at the top of the mix, with less strain on your ears. Shrill, tinny tweeters will drastically increase ear-fatigue, limiting your effectiveness during mixdown. Mackie's tweeters let you work more productively for quicker project-turnaround. Let's face it, the faster you can put a pro-quality product into your client's hands, the more likely they are to come back again. With all the extra business, the HR824mk2's pay for themselves.
What's a Sweet Spot?
Volume and frequency-response are certainly important to the overall mix, but so is the stereo image. When all of the individual musical elements have their own space to live and breathe through the stereo field, your finished product is much richer and more textural. The audience can connect with your music on a more intimate level, resulting in a stronger emotional response. It's the difference between "yeah, that was nice," and "wow, this rocks!" Engineers take great pains to be sure they are located in the "sweet spot" during mixdown. The sweet spot is created by forming a triangle between the stereo monitors and the engineer's ears. Million-dollar control rooms are often designed with this triangle in mind, but project studios aren't always so lucky. Space constraints often shrink or widen the triangle, leading to an unnatural stereo spread and an inaccurate sweet spot. Tom-rolls that travel from hard-left to hard-right may sound psychedelic and cool in your headphones, but that's not how you hear them live.
Waveguide Technology and the Sweet Zone
Mackie uses a special waveguide technology for the high-frequency drivers in the HR824mk2's to gently disperse sound throughout the space. The output is spread both horizontally and vertically, giving a crystal clear representation of the stereo field. With the HR824mk2, you get more of a three-dimensional "sweet zone" than a sweet spot. You can move around the control room, make adjustments to effects on the rack and tweak settings on the board, trusting your ears from one place to the next. Spotlight the lead vocals dead-center in the mix, then stagger guitars, drums, and keyboard ambience out to the sides. Each sound sits in its own special place, taking the focus when appropriate, and adding subtle texture the rest of the time. Once you truly hear an accurate stereo image, you'll never want to mix any other way. People who listen to your CD will feel like they're standing in the room with the band.
THX and Surround-Sound Support
Stereo mixes are great for songs, but many studios are getting into TV, DVD, and video game production to supplement their income. New High Definition standards demand even more detailed audio tracks, with lush surround-sound atmosphere. The HR824mk2 monitors were approved for THX pm3 compliance on their initial trial, so you can mix music for any medium with absolute confidence.
You can see how the electronics contribute to the overall sound quality, but the HR824mk2's cabinets are a key ingredient, as well. Real wood enclosures help temper the output of pristine internal components, adding warmth and character to an otherwise sterile mix. The zero-edge, cast aluminum front baffle and fully radiused cabinet corners bring tight, focused clarity to your sound. Traditional box-style cabinets have sharp corners which diffract, or spread out, audio waves as they pass through the edges. This adds mud to the mix. Edges are rounded on the HR824mk2 to let the sound out with no diffraction. The music reaches your ears, unchanged. More than great sound, the piano-black finish brings a touch of class to any studio. When a gear-savvy client sees these in your space, they'll know they're dealing with a pro.
Room Compensation and Connectivity
The best scenario for near-field monitoring involves plenty of space surrounding the enclosures. As we've seen, this is difficult to manage in small home studios, and nearly impossible on the tour bus. Space limitations often require monitors to be located against a wall, or even in a corner. These conditions will increase bass response, coloring an otherwise clean mix, causing you to roll off the low-end more than you ought to. For these situations, HR824mk2 monitors have a room-compensation switch that lets you tune the speakers to your space, ensuring a true representation of your sound wherever you plan to use them. What's more, the balanced and unbalanced input connections are angled so they don't stick straight out the back of the cabinet. You can place your monitors right up against a wall when space is extra-tight. XLR, TRS, and RCA connections are available for easy integration into any audio setup. HR monitors are sold as singles, so you'll need to order a pair to get the full stereo experience.
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The high-resolution HR824mk2 active studio reference monitor sounds as smooth as it looks. The Zero Edge Baffle minimizes diffraction for a crystal clear image of your mix, and controls sound waves for wide, even dispersion. The rear-firing, mass-loaded passive radiator ensures tight, detailed bass extension, down to 35Hz. And thanks to remarkably linear frequency response, you always get accurate mix translation. Acoustic Space, LF roll-off and HF controls let you tailor the sound to suit your space-and your taste. With all this and more, the HR824mk2 turns your studio's sweet spot into a full-on sweet zone.
- High-resolution Active studio reference monitor
- Ultra-linear frequency response for accurate mix translation
- 8.75 in. high-precision, low-distortion LF transducer
- 1 in. titanium dome, ferrofluid cooled tweeter
- Optimized Waveguide for wide, even sweet zone
- Twin FR Series amps -- 150W for LF / 100W for HF
- Cast aluminum Zero Edge Baffle minimizes diffraction
- Full internal damping eliminates midrange artifacts
- Onboard passive radiator extends bass response to 35Hz
- Acoustic Space, LF roll-off, and HF controls
- Balanced XLR, TRS, and unbalanced RCA inputs
- OmniMount ready for easy wall/ceiling placement
- THX pm3 certified for surround sound applications
- Perfect for High Definition audio, cinema and gaming systems
History of Mackie Studio Monitors
Up until the mid '90s, there was no such thing as an affordable professional studio monitor. Even as more people began recording in homes and project studios, great sounding studio monitors remained cost-prohibitive. Home and project recordists resorted to using hi-fi speakers-some even cobbled together their own monitors using parts from consumer speakers and the local electronics store-with less than stellar results. Mackie didn't think this was fair-why should great sound be reserved for only those with a fat wallet?
Mackie decided it was time to level the playback field. Their audio gurus got to work, combining their hard-won expertise to design a monitor that would at last make great sound accessible to the masses. After many long days and late nights, the HR824 Active studio reference monitor was born. With its signature active architecture and passive radiator design, the HR824 monitor delivered performance that impressed studio veterans and hobbyists alike-and was in reach of all their budgets. Soon HR824s were perched atop speaker stands in professional control rooms, project studios and bedroom studios all over the world. Following the success of the HR824, we developed the HR624, a compact version of the world-renowned original. Like its "big brother," the HR624 earned a large and loyal following, and it, too, populated a wide range of studios. With their impeccable sound, enviable reputation and affordability, the HR Series changed what people expected of studio monitors, and challenged how the competitors designed theirs. Simply put, the HR Series became the industry standard.
Since the release of the original HR Series in 1996, audio recording-and the studio environment-has changed by leaps and bounds. The greater bit depth and higher sampling rates afforded by digital audio mean recordings are more accurate than ever. Recording technology along every step of the signal chain has advanced, too, from microphones to DAWs, allowing for mixes with massive numbers of precisely captured tracks and huge amounts of processing. With these changes have come challenges for -- and expectations from -- a studio monitor.
Today's studio demands a monitor that can reproduce sound as precisely as it is recorded. The same innovation that launched the pioneering HR Series has led to the birth of just such a monitor-as. Meet the HR824mk2.
The Mackie HR824mk2 high-resolution active studio reference monitors represent the evolution of revolutionary thinking. Mackie's engineers, joined by audio gurus from EAW, worked hard to conceive of a way to preserve the all-important character of the original HR, while delivering performance-as well as appearance-that's better than ever. And even moreso than the original HR824, the HR824mk2 and HR624mk2 are part of the same family, true siblings in design and sound. Sharing the same engineering, they are created to work together, whether in surround systems, or as part of complementary monitoring setups in different sized rooms.
Mackie HR824mk2: Featuring Zero Edge Baffle
The one-piece cast aluminum Zero Edge Baffle features precisely engineered curvature that minimizes diffraction for a crystal clear image of your mix, and effectively controls sound waves so you get detailed lows, full, articulate mids, and shimmering highs. The integrated Optimized Waveguide accurately and efficiently controls dispersion characteristics of the sound on and off axis, resulting in a wide sweet spot with smooth transitions from lows to highs. More inert than a wood or plastic baffle, the Zero Edge Baffle's cast metal surface reduces surface vibrations during playback, thereby minimizing distortion to the sound's waveforms; the result is improved time-domain characteristics, which equates to dramatically enhanced depth of field.
Thanks to the design of the Zero Edge Baffle, the HRmk2's imaging is stunningly accurate, with wide, even dispersion, and three-dimensional sound, delivering a much broader sweet spot than any other studio monitor on the market-so broad, in fact, that we like to call it a sweet zone.
When you mount a loudspeaker in a box, there are two things that you can do with the radiation from the rear of the cone: use it to enhance the low-frequency performance of the speaker system (bass reflex system) or soak it up (acoustic suspension system). A bass reflex system uses the rear radiation to extend the low-frequency response; most systems provide holes (ports) in the front or back of the cabinet to release the rear wave. The HR842mk2 is a bass reflex 6th-order system. Rather than use ports, the vent takes the form of a passive radiator, a mass-loaded flat piston coupled to the air trapped within the enclosure. You can't see the passive radiator because it is located at the rear of the cabinet, behind the power amplifier assembly.
The passive radiator replaces the port found on most speaker systems. Simple ports or ducts must have sufficient surface area to prevent the velocity of the air within them from exceeding 5% of the speed of sound, which keeps the vent from becoming audible (breathing and wheezing sounds) at high signal levels. This requirement for sufficient surface area creates a design problem when using ports-finding enough space in the enclosure for them to fit.
One primary advantage of a passive radiator is that it can reproduce low frequencies with lower distortion and at a higher sound pressure level (SPL) than a simple port or duct. Mackie's unique passive radiator design uses a flat diaphragm, providing exceptional stiffness to the radiating surface. The elliptical shape of the passive radiator takes up nearly the entire surface area available on the rear of the enclosure, allowing the passive radiator to move more air than a port. And as a result of this design, Mackie HR824mk2s deliver superior bass response, with virtually no distortion.
The HR824mk2 monitors are a true active design, meaning they contain separate onboard amplifiers for each driver, plus onboard active crossovers and time-correction circuitry, which helps ensure highs and lows reach your ears at the same time. The HR824mk2s also have protection circuitry built in to protect from damaging input levels. With the same class A/B amplifier design as the original HR Series, the HR824mk2s retain the much-loved character of Mackie's classic monitor, and carry on the acoustic space circuitry of the classic HR824, which allows you to tune the monitors to your room.
Designed into the heart of the amplifier circuits are EQ and filter sections that allow each amplifier to be precisely factory-tuned, ensuring that what we designed in Mackie's labs is what you end up with in your studio. Before assembly, we first hand-trim the amplifiers to exactly match the amplifiers in our Golden Reference Unit. (See "Unparalleled Quality" for more on the Golden Reference Unit.) During final assembly and testing, the amplifiers are voiced to match the rest of the components in the entire monitor system; they're hand-trimmed to compensate for very slight manufacturing tolerances between the drivers. This meticulous process results in each monitor being within exacting references of the Golden Reference Unit.
Relentless in the Pursuit of Woofers/Tweeters
Each HR824mk2 monitor features a high-precision, low-distortion woofer-8.75-inch for the HR824mk2 and a 1-inch ferrofluid cooled titanium dome tweeter. An exhaustive process, the selection of the HR824mk2 drivers consumed considerable engineering resources. The Mackie team spent countless hours in their quest to find drivers that met their stringent criteria, including the ability to be manufactured in volume with virtually no variability between units, the ability to produce the desired frequency response, and the ability to meet the tight price goals that allow us to make their monitors affordable. After having rejected multiple candidates, the team eventually narrowed down the field. With further engineering input, Mackie sourced drivers that met their standards, and successfully managed to fine-tune a system that delivers unparalleled results.
Gets the Details Right
To say the folks at Mackie are detail-oriented is an understatement. They obsessed over every last detail on the HRmk2 Series--from the color and finish, to the power indicators and even the vents in the heat sink.
Mackie HR824mk2 monitors feature a wood cabinet, with custom internal bracing to increase its strength and rigidity in desired locations. To absorb internal reflections and dampen standing waves inside the cabinet, an open-cell adiabatic foam material is placed strategically inside the box. While an all-metal cabinet had been considered as a potential design strategy, in the end their design team used their ears to make their choice of cabinet material. And what they heard from an all-metal cabinet was a sound that was accurate, but overly sterile. Combining a wood cabinet with the metal Zero Edge Baffle adds that unquantifiable "bit of warmth," producing sound that's true and never lifeless.
LED Power Indicator and Overload
Mackie's LED power indicator is a tasty shade of white a cool, refreshing change from your typical red. They took care to make sure the brightness is just right, too. The light shines bright enough so you can see it just fine in a well-lit room, and in a dark environment, it won't distract or blind you. Mackie saved the red for when you re overdoing it-you'll see the scarlet HRmk2 overload LED when your input levels are too high.
Mackie goes to elaborate lengths to ensure each HR824mk2 sounds as good as their experts intended. Each one Mackie manufactures is subject to rigorous testing and pre-screening during the production process, then calibrated and tuned with an environmentally controlled test chamber before final packaging. Mackie's Golden Reference Unit serves as the reference point for calibration; there is one of each model in the HRmk2 family. Hand-engineered in the US, the Golden Reference Unit is the "master" for HRmk2 production units--it is the final design arrived at and approved by the HRmk2 team. The Golden Reference Unit and the test chamber are calibrated as a system every few hours, to compensate for temperature and humidity variations, and the resulting measurements are used to calibrate each HRmk2 production unit. Each HRmk2 monitor is tuned to be within 1.5 dB across the entire frequency range of the Golden Reference Unit, and gets its own "birth certificate" with a chart plotting the frequency difference between it and the Golden Reference Unit. The birth certificate is then verified and signed by a Mackie Acoustic Technician.
Mackie's strict quality control means all their HRmk2s meet their published specifications, and that there is little-to-no variability between units. No matter if you get your first HRmk2 pair now and add another pair for your surround setup months later, you can be confident you have a precisely tuned system that has been designed to work in unison, and that every HRmk2 pair is a true "matched pair."
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wide sweet spot....nice bass translation, well, basically i had to redo my mixes especially low end and mids..very good. get yours now before price go up again...mmm talk about value..right on mackie...besides good speakers zzound is the best to do business with...they have never let me down and thr shipping rate to hawaii is the best. awsome zzound. thanks
Style of Music: all
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"Excellent monitors - with some caveats"
I recently bought and tried these monitors. I've been recording for 17 years and have been using my current monitors for 7 years. I bought these as an upgrade being I wanted the extended low end response, which I will get to.
First things first, these monitors are nice and flat. It bothers me to see comments on the net that say "scooped mids" "hyped mids" "harsh treble" "dull treble"... I mean which is it?? It can make your head spin as everyone has something to say that is completely opposite what someone else said. Well, I say ignore all those comments and rely on the fact you're getting a monitor that is extremely flat with a graph to prove it.
I was extremely pleased with these monitors but I did discover one of the speakers had a bad tweeter that was only operating at about 50% effeciency, meaning it was dull and was making an audible static noise. I returned it and the replacement is perfectly fine. So as a result of that I had to rate 5 for quality.
Now, here's the problem... if your setup is half-space, meaning there's a wall right behind the monitors you will likely find big problems with the bass end due to room acoustics. At first you'll be excited thinking you're hearing the missing lowend but you're not. You will see that everything sounds *better* in the Mackies due to the killer lowend only to find it sounding quite different on all other sources. Well, this is due to room acoustics and to fix it requires a few thousand dollars to fix with *real* basstraps - ie. NOT foam ones. So, as a result I am sadly returning mine and sticking with my original monitors that go down to 50hz.
I will give this bit of advice, if you are operating with your speakers near a wall or corners and still want speakers with serious low end make sure to buy ones with the bass porting in the front! The Mackies push bass out the rear using a passive radiator which is the cause of the problem. If you get front ported speakers you will be much better off!
Overall though, if it weren't for the bass/room acoustics issue I really do love these monitors.
Style of Music: Industrial, Electronic, Nu-Metal, Gothic
52 of 55 people
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