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Korg X50 61-Key Synthesizer Keyboard

HI synthesis system. 61 velocity-sensitive keys.

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Description
Multimedia
From Our Catalog
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Introducing the new X50 music synthesizer; packed with Korg's distinctive and world-renown sounds, designed for easy and intuitive operation, and with an ultra-light and compact design that's ideal for the active musician.

Features
512 professional-quality sound programs produced
by the HI synthesis system used on the world-famous Triton series.

384 combinations, each allowing up to eight programs to be freely combined to create complex sounds.

Multi Mode allows the X50 to be played from your external sequencer as a 16-part multi-timbral sound module.

Powerful effect section with four processors (one insert effect, two master effects, one master EQ).

Four-channel audio output (two main channels, two individual channels), a first in its class.

Dual polyphonic arpeggiator for even more musical enjoyment.

USB connector allows single-cable MIDI connection with your computer.

Stand-alone and innovative plug-in sound editing software is included, allowing you to tweak and program the X-50, even within your DAW software.

Korg's brilliant sounds in a handy size
The Korg X50 music synthesizer features the HI (Hyper Integrated) sound engine that's used on the world-famous Triton series. It gives you pro-quality sounds in an ultra-compact body. This keyboard synthesizer delivers unbeatable convenience and enjoyment for live performance or song production.

A rich array of sounds and powerful effects
The 64 MB PCM memory contains a wide range of sounds, including piano, strings, guitar, and synth sounds. With 512 sound Programs, as well as 384 'Combinations' that let you use up to eight Programs together, you can start enjoying a diverse selection of great sounds right away. The effect section lets you simultaneously use four effects (one insert effect, two master effects, and one EQ), and provides a full selection of effect types such as reverb, chorus, and delay. Best of all, the X50 is compatible with Korg's TR line of music workstations so you can share sounds and songs with Korg users around the world.

Dual arpeggiator makes performance even more fun
An arpeggiator lets you play a variety of phrases using just one finger, and the X50 provides two polyphonic arpeggiators! For example, in Combination mode you can use the two arpeggiators to play drums and bass while you play chords and melody, giving you amazing power for live performances. In addition to five basic preset arpeggio patterns, the X50 also provides an additional 251 patterns containing various phrases. Of course you can also create your own original patterns and store them in internal memory.

Easy operation for immediate use
Finding the right sound quickly when you have so many to choose from can be a problem on some systems, but never Korg's! The X50 organizes its vast array of sounds into sixteen categories, and provides a Category Select function that makes it quick and easy to choose the sound you need from the category you specify. There's also an Audition Riff function that provides one-touch audition of each sound. Four knobs can be used to quickly adjust sounds, effects and arp settings, and the ClickPoint cursor makes the X50 a pleasure to use and play.

Light and compact design for easy portability
The X50 packs professional-quality sounds and a wide range of functions into an amazingly light and compact body. Even with a 61-note keyboard that gives you plenty of room to perform, the X50 boasts an ultra-light weight of only 4.5 kg --- about the same as an electric guitar. The compact design ensures that it can fit into the smallest home studio workspace, and thanks to its cool side handles the X50 is easy to take along wherever you go.

Cutting-edge connections
In a first for its class, the X50 features individual outputs, allowing professional setups in which the sounds of specific parts are sent to their own outputs. This can be very useful in situations such as recording when you may want to EQ and process each sound separately, and for surround-sound applications.

The X50 also provides a USB connector that lets you establish MIDI connections with your computer using a single cable - no interface needed. A powerful Multi mode give you 16 parts to create music with, with the full complement of effects and other settings to make complete songs using only the X50 and your computer. 128 Multis can be saved and recalled, with 16 preloaded covering many common music styles and genres.

It also comes with editor/librarian software that makes it easy to create and organize sounds using your computer. Two versions are provided: a traditional stand-alone application and an innovative plug-in version (VST, AU, and RTAS formats supported) that can run within your DAW and MIDI sequencing software. Both versions are colorful, graphic-rich, and provide a wonderful interface for working with the X50 in all its modes.

Technical Info

Tone Generator:
-- HI (Hyper Integrated) sound engine

-- 48 kHz sampling frequency

-- 64 MB PCM ROM

-- 470 multisamples + 518 drumsamples

Keyboard: 61-key, velocity sensitive

Polyphony:
-- 62 voices, 62 oscillators (in single mode)

-- 31 voices, 62 oscillators (in double mode)

Effect Section:
-- Stereo digital multi effect system - all can be used simultaneously

-- 2 Master Effects (mono in, stereo out)

-- 1 Insert Effect (stereo in/out)

-- 1 Master Effect (3-band stereo)

Number of Effect Types: 89 (available for Insert Effect and Master Effects)

Programs, Combinations, Multi-sets, Drumkits:
-- 512 user Programs (512 preloaded)

-- 384 user Combinations (384 preloaded)

-- 128 user Multi sets (16 preloaded)

-- 40 user Drumkits (16 preloaded)

-- GM sound map compatible - 128 programs + 9 GM2 drum kits (ROM)

Dual Polyphonic Arpeggiator:
-- Two arpeggiators, useable simultaneously in Combination and Multi Modes, one arpeggiator can be used in Program Mode

-- 5 preset, 251 user arpeggio patterns (251 preloaded)

Controllers:
-- pitch bend wheel

-- modulation wheel

-- Realtime controls knob 1~4

-- Audition key

-- Category key

Display: 240 x 64 dots LCD with backlight, graphical user interface

Outputs:
-- MAIN-L/MONO, R

-- INDIVIDUAL-1, 2

-- Headphones

Control Inputs:
-- damper (half-pedaling supported)

-- assignable switch

-- assignable pedal

MIDI: In, Out

USB: type B connector (transmits MIDI only)

Power Supply: DC 12 V

Current Consumption: 12 Watts

Dimensions: 38.39" (W) x 10.12" (D) x 3.15" (H), 975 (W) x 257 (D) x 80 (H) mm

Weight: 9.48 lbs./4.3 kg

Included Items: AC adapter, CD-ROM (X50 Editor, X50 Plug-In Editor and KORG USB-MIDI Driver software)

Windows system requirements to connect via USB:
Supported OS: Microsoft Windows XP Home Edition/Professional/x64 Edition

Supported Computer: computer with USB port and the ability to run
supported OS

*Driver software for Windows XP x64 Edition is
beta-version.

Macintosh system requirements to connect via USB:
Supported OS: Mac OS X 10.2 or later

Supported Computer: Apple Macintosh with USB port and the ability to
run supported OS

Note: USB MIDI has been tested and works under Rosetta and Universal Binary on Intel-based Macs, using the standard Class Compliant driver. In this case, however, Port Names will be shown as generic names like Port 1, Port A etc. instead of the product name.

Windows System Requirement of KORG USB-MIDI Driver:
Supported OS: Microsoft Windows XP Home Edition/Professional/x64 Edition

Supported Computer: Computers with USB port and the ability to run
supported OS

*Driver software for Windows XP x64 Edition is
beta-version.

Mac System Requirement of KORG USB-MIDI Driver:
Supported OS: Mac OS X 10.3 or later

Supported Computer: Apple Macintosh with USB port and the ability to
run supported OS

Sys. Req. for X50 and X50 Plug-In Editor (Win):
CPU: Intel Pentium III / 1 GHz or faster

Memory: 256 MB or larger

Monitor: 1,024 x 768, 16-bit colors or higher

Supported OS: Microsoft Windows XP Home Edition/Professional Edition Service Pack 1 or later

Operates as stand-alone or VST/RTAS plug-in.

Sys. Req. for X50 and X50 Plug-In Editor (MAC):
CPU: Apple G4/400 MHz or faster

Supported OS: Mac OS X 10.3.9 or later

Operates as stand-alone or VST/AU/RTAS plug-in.

Note: This software does not currently run on Intel-based Macs, either under Rosetta or as Universal Binary. When this changes we will make a public announcement.

Sys. Req. for X50 and X50 Plug-In Editor (Win):
Memory: 256 MB or larger

Monitor: 1,024 x 768, 32,000 colors or higher

Supported OS: Mac OS X 10.3.9 or later

Operates as stand-alone or VST/AU/RTAS plug-in.

Accessories:
-- XVP-10 EXP/VOL Pedal

-- EXP-2 Foot Controller

-- DS-1H Damper Pedal

Specifications subject to change without notice
Compact, easy to use, and loaded with 512 Triton-derived sounds in its 64MB ROM! Combine up to 8 programs, add up to 4 effects, and exploit the dual polyphonic arpeggiators and 4-channel audio output for spacious, unique sounds. USB port for direct connection to your Mac/PC. Includes editor software.
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Korg X50 61-Key Synthesizer Keyboard Reviews

75 People rated this product :
           9 out of 10
           9 out of 10
"A really great little synth!"
Feature:
I love the real time knobs. That's a nice touch. that way you can play and adjust. The handles are not bad either. It's great to have a unit that I can actually lift up with one hand. I really wish that the drum loops were easier to access. I'm a terrible drummer!:) I need all of those I can get. But, that's more of my problem .

Quality:
The keyboard could probably be made a little better, although, I don't have issue with it. I'm not going to be throwing it around. It is light weight, and easy to manage. The keys are fine to my specs also, although I am more partial to a weighted key. I've had my keyboard for around 6 months and so far it's held up well. Like with other review, I would like to say that it is hard to find a case that fits snugly. I believe that the gig skins slim line keyboard case would fit nicely, although I didn't buy that one, and wished I would have.

Value:
I really like korg products. The x 50 is no exception. The sounds are great, and there's a lot packed into this little synth. I'm looking forward to working with it.

Desirability:
The look of it is really nice. Just to see it in action is great. Really sleek. The sounds are nice too. In my perspective it beats the others in this price range.

Sound:
It's a really good sounding keyboard on most things. The piano is pretty good. That's the only reason I didn't give it a "10" here because I think they could have done a little better on the piano. This is the main voice that I use. I really love the pads, and the strings are nice too. Looking forward to doing more with them.

Ease of Use:
It's really easy to modify the sounds roughly on the x50. The real time knobs are an asset. It helps not have to get deep into the keyboard all of the time. Then for more fine things, you can interface with the computer. A nice touch. I have to admit, though, that I haven't had much time to do a lot with that, but I plan to. The only issue that I have is that the drum loops are a little more difficult to access in retrospect to putting your desired sound with your desired beat. That may be just a learning issue for me, though.

Support:
I have dealt with them concerning my trinity, but not the x 50. With the trinity, they were not very knowledgeable, but the trinity is a lot older. So maybe they're better with the more recent ones.

Overall:
I plan on keeping my keyboard, at least until it gets so outdated it can no longer be easily compatible to which ever computer that I own. It's a great little keyboard with very little storage space needed.

Submitted: 02/11/2008
Style of Music: worship
20 of 20 people (100%) found this review helpful. Did you?    
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           9 out of 10
"No compromise on sound vs. price. Build quality could be a concern though."
Feature:
No sequencer or anything, just the guts of the triton HI synthesis engine, but thats good enough. The feature set is everything you would want in a saynthesizer. you can twaek all the aspects of each sound; so I could safely say you could reproduce any sound with this gadget. The lightweight design is great, but it lacks sturdiness (more later)

Quality:
Im going to focus on build. To cut corners on price and to reduce weight, they had to make a cheap keyboard. It just doesnt seem sound at all. If youn pick it up in the middle you hear it creaking and popping, which indicates instability. It just feels weak but i think that if you take care of it, it should last. Ive had mine for 5 months and its been great and occasionally mishandled (once dropped, and its fine!)

Value:
For the money, super. If you are a musician on a budget (like, 95 percent of us??)then this is the board. Trust me, half of the sounds RIVAL that of the roland fantom series (ive compared them both side by side, and you really have a hard time deciding!)

Desirability:
It looks ok, nothing wrong there. But the main focus of this board should be the sound; its untouchable

Sound:
For the product the sound is no compromise between price and quality. Strings: Individual solo patches are included which could use some work, but they are good to be the byproduct of a synthesizer. There are many ensemble patches that are simply amazing. Lush and expressive. On most patches, when you play and gradually go from the high to the low end, you can hear a shift from violins and higher strings to cello and double bass. It really simulated a real ensemble. There also pad like strings and other types. Keys: The included mf/f stereo piano patch is great for the money. You get a wide response from playing and everything seems to be just right. EPs didnt do so well, most of them are junk to me but the 4 or 5 that I like are GREAT and they can be modified so that should be no real issue. Vocal: Its a keyboard, and a synthesizer at that so dont expect much. The stand alone choirs are rich and expressive and there are many types. There are also some stand alone "solo" programs (like one called formant voices) that tries to emulate a real voice; and it sucks. but still good job. Brass: Great. Warm ensemble sounds, trombones, trumped duos, anything. even that sfz bad ass brass sound. It could easily do the 007 theme. Woodwinds: Wasnt too impressed. solo instruments werent up to par with the other categories, but this was mainly in the GM section. There is a vibratto flute sound that is ultra good, and the oboe sounds are also great. Good ensemble patches. Typically, when a synth lets you control vibratto, it sounds cheesy and fake, but for the winds the vibrrato is mopre on the natural side but not perfect yet. guitar: Great. The acoustic patches are amazing, even filling in with fret slides automatically (some patches react to pressure to acomplish the same thing and allow more control). And as for the electric guitars, processed or not, great. You can add overdrive and a high end gain and get amazing disatortion with the right sounds, without the machine gun effect. you wont be disapointed. Most sounds need custom effects to really appreciate though. Bass: as for the bass guitar replacement sounds, not the best at all, but there is a slap bass sound that is amazing. Techno bass and artificial lead type bass sounds are decent. Pads: This is where the X50 really does good. The pads are thick and ambient, and highly customizable. There are many varieties and when using surround sound output, its even more organic and evolving. Leads: Decent. Very few are usable dry; effects must be added or you need to learn how to control them in real time and make them expressive. With some work, you can really get some nice sounds though. You just have to experement. There are other sounds, but i dont want top use space so trust me on the basis they are really good. You can combine up to 8 sounds and adjust pan, effects for each channel, volume, and almost anything to create super complex sounds. There are many preset orchestral programs that use this concept to create expressive sounds. The only problem here is the 64 oscillator polyphony. After so many sounds, you notice other notes being occluded. You can tweak the sounds and fix this. The sounds are easily controlled through 2 assignable pedals, 4 assignable knobs, two button switches, mod wheel and pitch bend, and even they are assignable.

Ease of Use:
Itrs kind of hard to use, but you learn it quickly. The interface is clean and easily accessed. Learning curb would probably be around a week or two, and you have it mastered.

Support:
Called them once to ask about the adapter. They were prompt and friendly but I waited for EVER -_-

Overall:
Build quality suffers, but if you take care of it the real world use of it will be worth the money. Buy it.

Submitted: 07/29/2009
Style of Music: Rock, alternative, orchestral, techno,....
8 of 8 people (100%) found this review helpful. Did you?    
Thanks for your opinion!
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