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Emu Tracker Pre USB 2.0 Audio Interface
Pristine 24-bit/192kHz A/D and D/A converters. Mic preamps can run independently. USB-bus powered.
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About This Product!
Description
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E-MU's Tracker Pre USB 2.0 Audio Interface/Mobile Preamp is the ultimate portable USB audio interface for Mac and PC, offering pristine 24-bit/192kHz recording and playback, direct monitoring, and a host of professional features in a compact, USB bus-powered package. The Tracker Pre USB provides users with two Class-A ultra-low noise Mic/Line/Hi-Z preamplifiers that can be run independently or in stereo to record guitars, keyboards or microphones with optimal audio performance. CurrentMorph, a patent-pending circuit design, allows Tracker Pre to offer +48V phantom power and use premium high-power converters while using only USB bus power.
Features
Pristine 24-bit/192kHz A/D and D/A converters (A/D and D/A: 112dB measured SNR performance) deliver unmatched USB audio fidelity for pristine audio quality
Preamplified analog signals are available before the A/D converters, allowing the Tracker Pre to be used as a standalone high-quality stereo microphone preamp (using optional power supply)
Hardware zero-latency direct monitoring (mono or stereo) with continuously variable level control
Plug-and-play operation with hands-on control of all major functions like direct monitoring level, headphone level, preamplifier gain and more
Independent ground lift switches for optimal audio fidelity/flexibility
USB bus powered (can also be powered using optional 5V power supply)
Cross-platform support (Mac OS X and Windows XP32/XP64/Vista32/Vista64) and compatibility with most popular audio/sequencer applications (ASIO2, WDM, MME, Apple Core Audio and Core MIDI supported)
Two XTC(TM) Class-A, ultra-low noise, Mic/Line/Hi-Z preamps. Balanced XLR, 1/4 in. TRS and 1/8 in. Inputs (-127dB EIN) with 60dB of gain
1/8 in. Stereo Condenser Microphone Input with 5V Power
Two 1/4 in. Balanced/Unbalanced Outputs (112dB SNR)
Two 1/4 in. Unbalanced Send/Return Inserts prior to A/D converters
Stereo headphone output (112dB SNR)
General
Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192kHz from internal crystal (no sample rate conversion)*
Bit Depth: 24-bit I/O, 32-bit processing
USB 2.0 Hi-Speed:
- Full 24-bit resolution at all sample rates
- Stereo in, stereo out at all sample rates
Zero-latency direct hardware monitoring (disabled at 176.4-192kHz)
Windows drivers: ASIO2 and WDM
Macintosh driver: Apple CoreAudio
Anti-Pop speaker protection minimizes noise during power on/off
Ultra-low jitter clock subsystem: < 100ps RMS
USB Bus or AC powered via optional Universal Power Supply
Combo Preamplifiers (2)
Type: E-MU CurrentMorph combo mic preamp and Hi-Z/line input
A/D converter: AK5385
Max Level: +6.4dBV bal/unbal (+6.9 dBu)
- Hi-Z/line balanced input: +6.9dBV bal/unbal (+9.1dBu)
- Microphone Preamplifier: +6.4dBV bal/unbal (+8.6dBu)
Frequency Response (min gain, 20Hz-20kHz): +0.0/-0.03dB
Dynamic Range (A-weighted, 1kHz, min gain): 112dB
Signal-to-Noise Ratio (A-weighted, min gain): 112dB
THD+N (1kHz at - 1dBFS, min gain): -102dB (.0007%)
EIN (20Hz-20kHz, 150ohm, unweighted): -127dBu
Input Impedance:
- Hi-Z/line balanced input: 1 Mohm
- Microphone Preamplifi er: 1.5 Kohms
Analog Line Outputs (2)
Type: balanced, AC-coupled, 2-pole low-pass differential filter
D/A converter: CS4392
Max Level: 6.6 dBV (unbalanced)
Frequency Response (20Hz - 20kHz): 0.00/-0.08dB
Dynamic Range (1kHz, A-weighted): 112dB
Signal-to-Noise Ratio (A-weighted): 112dB
THD+N (1kHz at -1dBFS): -99dB (.0011%)
Stereo Crosstalk (1kHz at -1dBFS): <-111dB
Headphone Amplifier
Type: Class-A power amplifier
D/A converter: CS4392 (shared with Line Out)
Gain Range: 60dB
Maximum Output Power: 22mW
Output Impedance: 22ohms
Frequency Response (20Hz-20kHz): +0.02/-0.07dB
Dynamic Range (A-weighted): 112dB
Signal-to-Noise Ratio (A-weighted): 112dB
THD+N (1kHz, max gain): 300ohm load: -99dB (.0011%)
Stereo Crosstalk (1kHz at -1dBFS, 300 ohm load): <-90dB
Synchronization
Internal crystal sync at 44.1, 48, 88.2, 96, 176.4, 192kHz*
* Macintosh operation up to 96kHz only at this time
Retail Box Contents
E-MU Tracker Pre USB 2.0 Audio Interface
USB cable (2 meters)
Installation Guide
E-MU Software/Manual Installation CD-ROM (OS X /Windows):
- Windows XP, Windows x64, Windows Vista, Windows Vista x64 Drivers
- Mac OS X 10.4, Mac OS X 10.5 Drivers
- Owner's Manual and Tutorials
- Adobe Acrobat Reader (Windows only)
E-MU Production Tools Software Bundle DVD (OS X /Windows):
- Windows Applications
- E-MU Proteus VX (with over 1000 sounds)
- Cakewalk Sonar 6 LE
- Steinberg Cubase LE4
- Celemony Melodyne essential
- IK Multimedia AmpliTube Duo
- SFX Machine LT
OS X Applications:
- Steinberg Cubase LE4
- BIAS Peak Express 5
- Celemony Melodyne essential
- SFX Machine LT
Ableton Live Lite 6 E-MU Edition CD-ROM (OS X, Windows):
- Ableton Live Lite 6 E-MU Edition
Waldorf Edition LE CD-ROM (OS X, Windows):
- Waldorf Edition LE
Minimum System Requirements
Windows:
Intel(R) or AMD(R) processor - 1.2 GHz or faster
Intel, AMD, or 100% compatible motherboard & chipset
Microsoft(R) Windows(R) XP (SP 2 or greater), Windows XP x64, Windows Vista, or Windows Vista x64
1 available (Hi-Speed) USB 2.0 port *
512 MB System RAM
900 MB of free hard disk space for full installation
CD-ROM/CD-RW drive required for software installation
DVD-ROM drive required for bundled software installation
XVGA Video (1024 X 768)
OS X:
Apple(R) Macintosh(R) G4 800 MHz G4 compatible or Intel-based processor
Apple Macintosh OS X (10.4.3 or greater)
1 Available (Hi-Speed) USB 2.0 port*
512 MB System RAM
500 MB of free hard disk space for full installation
CD-ROM/CD-RW drive required for software installation
DVD-ROM drive required for bundled software installation
XVGA Video (1024 X 768)
* When connecting the Tracker Pre to a USB 1.1 port on a Windows PC, performance is limited to 16-bit and 44.1/48 kHz recording and playback.
* USB 1.1 is not supported on the Macintosh
Features
Pristine 24-bit/192kHz A/D and D/A converters (A/D and D/A: 112dB measured SNR performance) deliver unmatched USB audio fidelity for pristine audio quality
Preamplified analog signals are available before the A/D converters, allowing the Tracker Pre to be used as a standalone high-quality stereo microphone preamp (using optional power supply)
Hardware zero-latency direct monitoring (mono or stereo) with continuously variable level control
Plug-and-play operation with hands-on control of all major functions like direct monitoring level, headphone level, preamplifier gain and more
Independent ground lift switches for optimal audio fidelity/flexibility
USB bus powered (can also be powered using optional 5V power supply)
Cross-platform support (Mac OS X and Windows XP32/XP64/Vista32/Vista64) and compatibility with most popular audio/sequencer applications (ASIO2, WDM, MME, Apple Core Audio and Core MIDI supported)
Technical Info
In/Out ConfigurationTwo XTC(TM) Class-A, ultra-low noise, Mic/Line/Hi-Z preamps. Balanced XLR, 1/4 in. TRS and 1/8 in. Inputs (-127dB EIN) with 60dB of gain
1/8 in. Stereo Condenser Microphone Input with 5V Power
Two 1/4 in. Balanced/Unbalanced Outputs (112dB SNR)
Two 1/4 in. Unbalanced Send/Return Inserts prior to A/D converters
Stereo headphone output (112dB SNR)
General
Sample Rates: 44.1, 48, 88.2, 96, 176.4, 192kHz from internal crystal (no sample rate conversion)*
Bit Depth: 24-bit I/O, 32-bit processing
USB 2.0 Hi-Speed:
- Full 24-bit resolution at all sample rates
- Stereo in, stereo out at all sample rates
Zero-latency direct hardware monitoring (disabled at 176.4-192kHz)
Windows drivers: ASIO2 and WDM
Macintosh driver: Apple CoreAudio
Anti-Pop speaker protection minimizes noise during power on/off
Ultra-low jitter clock subsystem: < 100ps RMS
USB Bus or AC powered via optional Universal Power Supply
Combo Preamplifiers (2)
Type: E-MU CurrentMorph combo mic preamp and Hi-Z/line input
A/D converter: AK5385
Max Level: +6.4dBV bal/unbal (+6.9 dBu)
- Hi-Z/line balanced input: +6.9dBV bal/unbal (+9.1dBu)
- Microphone Preamplifier: +6.4dBV bal/unbal (+8.6dBu)
Frequency Response (min gain, 20Hz-20kHz): +0.0/-0.03dB
Dynamic Range (A-weighted, 1kHz, min gain): 112dB
Signal-to-Noise Ratio (A-weighted, min gain): 112dB
THD+N (1kHz at - 1dBFS, min gain): -102dB (.0007%)
EIN (20Hz-20kHz, 150ohm, unweighted): -127dBu
Input Impedance:
- Hi-Z/line balanced input: 1 Mohm
- Microphone Preamplifi er: 1.5 Kohms
Analog Line Outputs (2)
Type: balanced, AC-coupled, 2-pole low-pass differential filter
D/A converter: CS4392
Max Level: 6.6 dBV (unbalanced)
Frequency Response (20Hz - 20kHz): 0.00/-0.08dB
Dynamic Range (1kHz, A-weighted): 112dB
Signal-to-Noise Ratio (A-weighted): 112dB
THD+N (1kHz at -1dBFS): -99dB (.0011%)
Stereo Crosstalk (1kHz at -1dBFS): <-111dB
Headphone Amplifier
Type: Class-A power amplifier
D/A converter: CS4392 (shared with Line Out)
Gain Range: 60dB
Maximum Output Power: 22mW
Output Impedance: 22ohms
Frequency Response (20Hz-20kHz): +0.02/-0.07dB
Dynamic Range (A-weighted): 112dB
Signal-to-Noise Ratio (A-weighted): 112dB
THD+N (1kHz, max gain): 300ohm load: -99dB (.0011%)
Stereo Crosstalk (1kHz at -1dBFS, 300 ohm load): <-90dB
Synchronization
Internal crystal sync at 44.1, 48, 88.2, 96, 176.4, 192kHz*
* Macintosh operation up to 96kHz only at this time
Retail Box Contents
E-MU Tracker Pre USB 2.0 Audio Interface
USB cable (2 meters)
Installation Guide
E-MU Software/Manual Installation CD-ROM (OS X /Windows):
- Windows XP, Windows x64, Windows Vista, Windows Vista x64 Drivers
- Mac OS X 10.4, Mac OS X 10.5 Drivers
- Owner's Manual and Tutorials
- Adobe Acrobat Reader (Windows only)
E-MU Production Tools Software Bundle DVD (OS X /Windows):
- Windows Applications
- E-MU Proteus VX (with over 1000 sounds)
- Cakewalk Sonar 6 LE
- Steinberg Cubase LE4
- Celemony Melodyne essential
- IK Multimedia AmpliTube Duo
- SFX Machine LT
OS X Applications:
- Steinberg Cubase LE4
- BIAS Peak Express 5
- Celemony Melodyne essential
- SFX Machine LT
Ableton Live Lite 6 E-MU Edition CD-ROM (OS X, Windows):
- Ableton Live Lite 6 E-MU Edition
Waldorf Edition LE CD-ROM (OS X, Windows):
- Waldorf Edition LE
Minimum System Requirements
Windows:
Intel(R) or AMD(R) processor - 1.2 GHz or faster
Intel, AMD, or 100% compatible motherboard & chipset
Microsoft(R) Windows(R) XP (SP 2 or greater), Windows XP x64, Windows Vista, or Windows Vista x64
1 available (Hi-Speed) USB 2.0 port *
512 MB System RAM
900 MB of free hard disk space for full installation
CD-ROM/CD-RW drive required for software installation
DVD-ROM drive required for bundled software installation
XVGA Video (1024 X 768)
OS X:
Apple(R) Macintosh(R) G4 800 MHz G4 compatible or Intel-based processor
Apple Macintosh OS X (10.4.3 or greater)
1 Available (Hi-Speed) USB 2.0 port*
512 MB System RAM
500 MB of free hard disk space for full installation
CD-ROM/CD-RW drive required for software installation
DVD-ROM drive required for bundled software installation
XVGA Video (1024 X 768)
* When connecting the Tracker Pre to a USB 1.1 port on a Windows PC, performance is limited to 16-bit and 44.1/48 kHz recording and playback.
* USB 1.1 is not supported on the Macintosh
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Emu Tracker Pre USB 2.0 Audio Interface Reviews
10 out of 10
zZounds has verified that this customer bought this product from us.
"Buy this product"
Feature:
The product includes everything you need to get up and going. It is extremely convienient because it can phantom power microphones with full 48v using ONLY USB power.
Quality:
Quality of construction is fine, however it would be nice if it were in a metal enclosure, but given the price, I am very satisfied.
Value:
I own or have owned MOTU, ECHO Audio, M-Audio, EMU, Presonus, Turtle Beech USB/Firewire sound cards and for it's intended application of two channels, the EMU Tracker Pre would be my first choice.
Desirability:
This is a workhorse product not a useless sexy toy.
Sound:
The sound is excellent and comparable to much more expensive products. You must use care when connecting it to other equipment because ground loops/switching power supply noise from the PC can be a problem, other sound cards also have this problem. The best results are obtained when the laptop is powered from battery.
Ease of Use:
Depending on the host application, the product can be tricky to use because you may need to set the sample rate in multiple locations. One frustrating thing is that it does not remember the last sample rate setting, it always starts up at 44.1.
Support:
Communication with EMU is less than satisfactory, but their response is typical for this market. I have had worse support from MOTU for instance.
Overall:
I continually watch for new and improved sound cards, but I expect this will be my first choice for quite a while.
The product includes everything you need to get up and going. It is extremely convienient because it can phantom power microphones with full 48v using ONLY USB power.
Quality:
Quality of construction is fine, however it would be nice if it were in a metal enclosure, but given the price, I am very satisfied.
Value:
I own or have owned MOTU, ECHO Audio, M-Audio, EMU, Presonus, Turtle Beech USB/Firewire sound cards and for it's intended application of two channels, the EMU Tracker Pre would be my first choice.
Desirability:
This is a workhorse product not a useless sexy toy.
Sound:
The sound is excellent and comparable to much more expensive products. You must use care when connecting it to other equipment because ground loops/switching power supply noise from the PC can be a problem, other sound cards also have this problem. The best results are obtained when the laptop is powered from battery.
Ease of Use:
Depending on the host application, the product can be tricky to use because you may need to set the sample rate in multiple locations. One frustrating thing is that it does not remember the last sample rate setting, it always starts up at 44.1.
Support:
Communication with EMU is less than satisfactory, but their response is typical for this market. I have had worse support from MOTU for instance.
Overall:
I continually watch for new and improved sound cards, but I expect this will be my first choice for quite a while.
Submitted: 05/24/2009
8 out of 10
"better sound quality than any iterface ive used up to $500."
Feature:
didnt have many bells and whistles but did have effect loops before a/d conversion which is good for using compression before recording.
Quality:
this thing actually came deffected. one leg was gone and also the 1/4 ouputs on the back didnt have nuts on them. i should have sent it back. but i tried it and liked the way it sounded and kept it.i have had around $300-$500 interfaces that never sounded this good.i usauly dont record with the onbourd pres i use a channel strip though.the a/d conversion is real stable i love it.
Value:
i didnt think recording @192khz would make this much differense but it does.this is an excellent start to a home studio.the reason why, is most people get discouraged starting out by getting a audio interface with drivers that dont work or pres that are crappy and recording dont have clarity. if you dont need much in and out this is for you.good for vocals.
Desirability:
it would be better if it were a rack unit.
Sound:
good sound , clear when recording @192khz.
Ease of Use:
this interface is one of the easiest to intergrade with vista that i ever have used.stay away from presonus,they have wierd issues.
Support:
never used them just downloaded the latest driver from there web site
Overall:
ill probally try to find another product later , but the only reason is the in and out options.but im glad i bought it because it has incouraged me about wanting to invest in another 192khz interface later, without the fear of spending the money,and wondering if it would make a difference.this product actually rocks.it helped my vocals stand out in clarity.instead of in the mud.the process of adding effects didnt degrade the vocal it just made it shine. not like recording @ other sample rates. so for the newcomer or someone who wants to try 192khz for the price you cant beat it.and if you want to take it on the road with a lab top. easy as pie without all the headache of most interface drivers.
didnt have many bells and whistles but did have effect loops before a/d conversion which is good for using compression before recording.
Quality:
this thing actually came deffected. one leg was gone and also the 1/4 ouputs on the back didnt have nuts on them. i should have sent it back. but i tried it and liked the way it sounded and kept it.i have had around $300-$500 interfaces that never sounded this good.i usauly dont record with the onbourd pres i use a channel strip though.the a/d conversion is real stable i love it.
Value:
i didnt think recording @192khz would make this much differense but it does.this is an excellent start to a home studio.the reason why, is most people get discouraged starting out by getting a audio interface with drivers that dont work or pres that are crappy and recording dont have clarity. if you dont need much in and out this is for you.good for vocals.
Desirability:
it would be better if it were a rack unit.
Sound:
good sound , clear when recording @192khz.
Ease of Use:
this interface is one of the easiest to intergrade with vista that i ever have used.stay away from presonus,they have wierd issues.
Support:
never used them just downloaded the latest driver from there web site
Overall:
ill probally try to find another product later , but the only reason is the in and out options.but im glad i bought it because it has incouraged me about wanting to invest in another 192khz interface later, without the fear of spending the money,and wondering if it would make a difference.this product actually rocks.it helped my vocals stand out in clarity.instead of in the mud.the process of adding effects didnt degrade the vocal it just made it shine. not like recording @ other sample rates. so for the newcomer or someone who wants to try 192khz for the price you cant beat it.and if you want to take it on the road with a lab top. easy as pie without all the headache of most interface drivers.
Submitted: 08/01/2008
Style of Music: bluegrass gospel
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