With Q control.
40 People rated this product : 8 out of 10
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5 People wrote reviews |
Read all Dunlop 105Q Ultimate Bass Wah Pedal reviews... |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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Feature:
great for a wailing wah, or a subtle wah, tons of fun to use when i fool around with slapping and popping, and stupid funk stuff i fiddle with, but i play mostly metal, and band is just a general rock band and it works great for all my playing. I'm getting a 5 string next week and i tried it with a friend's 5 string and it worked great, i've had the pedal for 2 months and no problems, one tip though, if you wear long frayed out pants, kinda pull em up or keep them from getting under you wah when you use a toe down postion, cuz you look a little strange when you are attached to your wah by your pants, lol. also get a power adapter, i've always heard that wahs will suck down 9 volt batteries really quick.
Quality:
built like a tank, it's a beast.
Value:
BR>
Desirability:
great color, white instead of the normal black dunlop wahs, built like a tank, can't destroy it.
Sound:
The 105Q can give you a good funk like sound for slapping and popping or for just wah, like on black sabbath's NIB bass solo. Combine this beast of a wah with a boss bass odb-3 overdrive and have the set up on the odb-3 set for high gain (level 12 o'clock, high and low EQ 12 o' clock, Balance at 2 o' clock, and the gain all the way up) and have the volume and high Q on the 105Q all the way up and you get a great cliff burton sound and have wailing, screaming, earpierceing, cut right through the guitar and drum sound wah (have your signal chain go from the wah then the distortion, then the amp for a better screaming wah sound). This is the greatest pedal i've ever bought, i love it, i get great wah sounds, from a subtle woah, to screaming WOW! The pedal also has a nice range from heal to toe for movement, compared to the crappy morley dual bass wah, the morley has no heel to toe range and it's very vocal at all, the 105Q kills it. Also the cut out after you use the wah that you always hear about is nothing, i can notice it some, but my guitarist didn't notice it until i told him about it, and he is going to get a dunlop wah after hearing my wah solos, and my good metallica wah lines (this pedal combined with distortion gives you a great sound for anesthesia and for whom the bell tolls). Overall a great pedal, if you don't have one, get one now! oh yeah, sounds good when recording too, i tried it on my computer last week and it souned good, and was just plugging in! i'm going to get a Direct Imput box soon so my recordings will sound better.
Support:
I e-mailed them and they gave me all the info i wanted and answered all my inquirers.
Overall:
i'll never search for another wah, unless dunlop made a new even cooler version of this, but that will be hard to top. if this was stolen i would buy 2 or 4 or 1,367, cuz it rules.
Submitted: 10/18/2003
Style of Music: Metal/Rock/Punk
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3 of 3 people (100%) found this review helpful. Did you?
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 7 out of 10
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Feature:
The activation method (an IR sensor, not a footswitch like regular wahs) is a gift and a curse. Sometimes I wanted a funkier tone and stepped on the pedal all the way, but that meant my foot was kind of locked down and I couldn't employ my other effects. On the other hand, there's no 'clicking-off' required like on regular wahs. There is a slight lag with the effect of the wah if you activate the pedal very quickly, which might cause you to come in about halfway through the pedal sweep.
Quality:
The one thing that really bothered me about this pedal is that the teeth that rotate the potentiometer are /covered/ in a white lubricant. If the lube gets dirty /at all/, it can cause some major-league issues with pedal springiness.
Value:
For what you're paying, it's a great pedal; however, us bassists really have to shell out the bucks if we want /any/ good effect. If you're thinking about buying something else, go with the MXR Auto-Wah version of this pedal. It's got a lot of the same controls, but it's an envelope filter.
Desirability:
It's kind of a bland pedal, but it sticks out in a nearly all-black pedal chain (like mine). It's also very initially impressive and kind of...bold? That's a good word to describe it.
Sound:
The sound is okay. It works extremely well in the bass' midrange (anywhere in the middle of the neck or the A & D strings), but the low end sounds way too hollow, even after you mess with the Q control. There's also a really nasty point in the motion of the pedal where you get an earful of feedback if the Q's set to bring out your high end.
Ease of Use:
This is a very straightforward product, and it's great on it's own. Interfacing with other products, especially distortion/overdrive, can cause some less-than-desirable feedback noise. Worked almost too well with my chorus (Boss CEB-1) pedal, making some tripped-out synth sounds.
Overall:
I've sadly had this unit stolen from me and wish to purchase another wah, but my upcoming studio date has me wanting something much more high-end than this. It's a great unit for beginners and intermediates, but four-string veterans need to hunker down and spend some extra cash.
Submitted: 12/4/2006
Style of Music: Funk, Jazz, Indie Rock & Electronica
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2 of 2 people (100%) found this review helpful. Did you?
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