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DigiTech RP1000 Guitar Multi-Effects Pedal

Expand your tonal possibilities with the DigiTech RP1000. It offers countless effect combinations and features over 160 effects, 200 presets, 40 tone and effects libraries, and much more. 33 People rated this product: Rate and Review This Product
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Manufacturer's Description for DigiTech RP1000 Guitar Multi-Effects Pedal

Dramatically expand your guitar's tonal capabilities with the DigiTech RP1000, which features over 160 effects, 200 presets, 40 tone and effects libraries, a 20 second looper, and much more.

Endless Possibilities

The RP1000 offers a seemingly endless variety of distortions, overdrives, fuzzes, choruses, and delays, so players can dial in exactly the tone needed for any song, genre or venue. In addition, it features amp and cabinet models, a 20-second phrase looper, phasers, flangers, compressors, reverbs, synths, a tune and even the Whammy, an effect made famous by DigiTech. The RP1000 even has a built-in expression pedal for control of its whammy, wah, volume, and countless other effect parameters for otherwise unobtainable sounds.

Phrase Looper

The built-in Phrase Looper allows players to create on-the-fly performance loops for practicing, composing, and performing. With 20 seconds of record time and controls for Stop, Play, and Overdub, the RP1000 can layer different guitar parts and tones seamlessly for unique effects or one-man/woman-band performances.

Stage Ready, Stage Sturdy

The RP1000 is built to withstand the hard-hitting world of the Rock n' Roll stage. From its cast metal chassis to its 14 heavy-duty switches, to the large 10 character LED display, it's optimized for performers who play in dimly lit clubs with rowdy crowds and loud amps. Because it requires zero set up time, the DigiTech RP1000 shortens player's fussing-around-on-the-stage time to allow for more, preparing-to-play-the-actual-music time. And, with an onboard headphone output, it's the perfect educational and practice tool.

Recording Made Easy

The DigiTech RP1000 is invaluable for its recording capabilities. Courtesy of its onboard USB port, the unit doubles as a two input, two output recording interface, thoughtfully bundled with a version of Cubase LE. With this capability, the DigiTech RP1000 becomes a crucial recording tool for any guitarist or songwriter who needs a quick and easy idea-archival tool.

The RP1000 from DigiTech is an expressive and hugely flexible multi-effects powerhouse built into an ultra-sturdy chassis that provides endless tonal options for guitarists of all skill levels.

- Effect switching system offers control over external & internal stompboxes and effects
- Pedalboard Mode provides on/off and real-time control to any five RP1000 effects or parameters
- Amp/Cabinet Bypass defeats internal amplifiers and cabinets in all presets
- 20 second phrase looper
- Expression pedal controls the RP1000’s Whammy(tm), wahs, volume, and other parameters
- Chromatic Tuner
- Switchable Stompbox Loop for effects switcher control of external stompboxes and effects
- Switchable Amp Loop to retain your amp’s tone
- 40 Tone and 40 Effects Libraries
- 200 presets (100 factory, 100 user)
- Over 160 effects including stompboxes, choruses, delays, amps and cabinets
- Up to five seconds of delay time
- 24-bit 44.1kHz sample rate
- All metal construction
- Heavy-duty metal switches for stompbox response
- Bright LEDs display program status and effect on / off
- Large 10 character LED display for preset name, bank name and tuner
- Independent 1/4" and XLR Left and Right Outputs
- Amp / Mixer switch optimizes 1/4" outputs for amp or direct to mixer connections
- Stereo 1/8" headphone output
- Cubase LE4 Music Production Software included
- Downloadable X-Edit Librarian Software
- 2 x 2 USB audio streaming

DigiTech
As their name suggests, DigiTech is committed to designing digital technology for musicians of all skill levels, from beginners who need high-tech learning tools to professionals who require top-notch performance and recording gear. zZounds is an authorized dealer of DigiTech products.
General Specifications
Chassis: Durable cast metal construction

Display: Large 8 character alpha-numeric and 2 character numeric LED display

A/D Converter: 24-bit high performance audio

D/A Converter: 24-bit high performance audio

Sampling Frequency: 44.1kHz throughout

DSP Section: 1 Audio DNA2(TM) DSP Processor

Preset Memory: 100 User / 100 Factory Presets

Controls
Footswitches: 14 heavy duty vacuum-style switches control Tap Tempo, Stompbox Bank up/down, Program select, and Effect on/off. Footswitches also access Tuner, Bypass, and Phrase Looper functions.

Expression pedal: Built-in

Analog Input Connections
Guitar input:
- Impedance: 1M Ohms
- Maximum Input signal: 12 dBu

Stompbox Loop input:
- Impedance: 16K Ohms
- Maximum Input signal: 12 dBu

Amp Loop input:
- Impedance: 16K Ohms
- Maximum Input signal: 12 dBu
- Analog Output Connections

Line outputs:
- Impedance: 1K Ohms unbalanced / 2K Ohms balanced
- Maximum Output level: 22 dBu

XLR Mixer Outputs:
- Impedance: 2k Ohms balanced
- Maximum Output Level: 22 dBu

Stompbox Loop output:
- Impedance: 600 Ohms
- Maximum Output signal: 12 dBu

Amp Loop output:
- Impedance: 600 Ohms
- Maximum Output signal: 12 dBu
- Headphone Outputs:

Minimum Headphone Impedance: 50 Ohms

Electronic SNR: >= 110dB

USB: 2.0 compliant

Audio streaming: 2 channels to computer, 2 channels from computer

Sample rate: 44.1 kHz

External Control Input
Looper Footswitch Input: for use with optinal DigiTech FS3X

Size/Dimensions
Unit Dimensions (WxHxD): 19.5 x 2.25 x 8.75 in.

Shipping Dimensions (WxHxD): 25 x 7 x 15 in. (approximate)

Shipping Weight: 8.0 lbs (approximate)

Windows Software Requirements
Vista Home/Premium, XP Home/Professional (SP2 installed, .NET 2.0 installed*)

Pentium(R)/Athlon(TM) 1.4GHz or later

512MB RAM (1GB RAM recommended)

180MB hard disk space for application

DVD-ROM drive

USB Port

Internet connection required for Cubase activation

*.NET 2.0 will be installed during installation of X-Edit software if required on XP systems

Mac Software Requirements
OS 10.4.x or later

PowerPC G4/G5 1GHz or later

512MB RAM (1GB RAM recommended)

180MB hard disk space for application

DVD-ROM drive

USB Port

Internet connection required for Cubase activation
Dimensions and Weight in Packaging
with DigiTech FS3X and Sennheiser HD201 Headphones
Shipping Weight: 14 lbs
Base Item
Shipping Weight: 12 lbs
Shipping Dimensions: 24 x 13 x 7 in
DigiTech Warranty If you have additional warranty questions, please call the manufacturer at 801-566-8800
Our extended 30-Day 100% Satisfaction Guarantee applies on this product. Buy it, and if it isn't just right for you, return it!
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Customer Reviews
4.5 out of 5 (33 ratings) Rate and Review This Product
This review has been selected by our experts as particularly helpful. "Bought with Reservations, but Very Happy With It."
Sound: Took delivery of this a couple of weeks ago with a lot of reservations. I'm not a "digital" fan, having been burnt last year (From a local music store) on an alleged "modeling amplifier" and some other equipment that sounded like crap in a frying pan no matter what I did with it. Another person in my band has the GX4 and that worked well for him, but they've discontinued that product. I was concerned that this thing wouldn't "keep up" with the other product. The RP1000 has done fine so far. Despite my initial intimidation with it - I was up and playing quickly. I run it through a Marshall MA100 1/2 stack in pedalboard mode - the sound is amazing. It didn't "kidnap" the sound of my amp, so I'm happy with that. Doesn't sound good running on amp-modeling unless I bypass my amp head, but that's how this is designed to work. Amp-modeling through just plain speakers or straight into a mixer sounds great. Did some recording at a local studio last night and it did great.(Disclaimer: I was playing on a lot of "clean" and "echo" settings, so I didn't get to test distortion a whole lot, but the little I did sounded fine) Most of all it didn't interrupt me (Dealing with it) during the recording although I was switching between several settings. (If you read the owner's manual, it explains how to avoid volume swells and drops) In gigs, I've used this run through my amp head's effects loop AND through Line OUT. I actually PREFER it through the Line OUT because it does bypass cleanly and tones are good enough to run it on pedalboard mode straight through my amp head. With other devices, I've been "burnt" on line OUT before, but the RP1000 has performed flawlessly in 3 gigs and a recording session thus far. Bottom Line: You wanna spend 2 to 3 grand building a pedal farm or spend around $400 dollars on this? It just depends upon how picky you want to get with the sound and how much you want to spend I spent a fortune building a pedal-farm only to experience ground loops, interference and a bunch of stupid problems (Most of this "true bypass" advertising is bull) - the pedal board has been sold to the next victim and I'm running the RP1000 with just a couple of other effects. My floor space is cleaner, more organized & I don't have to worry about hitting the wrong switch or getting "tied up" in the thing and falling over on a darkened stage. If you don't mind reading a manual and spending the time to LEARN your equipment, then you'll love this thing! If all you want is a push-button simple toy then I'd go with something else. Feature: I was pleasantly shocked to open the box to find that Digitech supplied ALL the necessary cabling. There were at least 4 15 foot long hi-quality braided cables and 3 or 4 shorter cables. These cables are very good about NOT getting tangled and I will now buy Digitech cables when I need replacements or additional ones. I didn't have to use any cabling other than what came in the box. I really like having the ability to choose between so MANY brands of effects within each effect setting AND be able to adjust each effect independently. The only thing I'd like to see improved? Possibly the tuner, which needs to be set up like the Korg Pitchblack. (But that's a personal preference and it IS very similar to the Pitchblack) Note: I haven't downloaded the new firmware yet, which I plan to do very soon before I start editing too much. Ease of Use: I found the interface a little confusing for the first 20 minutes or so. Now I DID cheat and go on Digitech's site and read most of the manual while waiting for my unit to arrive, so I was a little ahead of the game when the thing came in. Within minutes, I was playing. and creating my own presets. Last night, all I did was read up on the looping process in the supplied manual and our recording session went off without the RP1000 interfering other than producing a good sound, which is EXACTLY what you want. (Nothing's worse than guitarists fiddling with a bunch of switches during a recording session instead of playing) I just set up my guitar, plugged the RP1000 into a rack system and really didn't touch it for the next 4 hours other than to kick on/off pedal effects when needed - it performed flawlessly. So it lives up to its promise during recording, because it produced NO issues at all during this session other than to do what it's supposed to do. Quality: The product is built out of metal and seems pretty solid. I'm not a "masher" or "lummox" around my equipment and I keep the fools away, so I might not be the best reliability-tester out there. (If you're rough on equipment, then you'll break anything) I like the switches because they have the "click on/click off" true feel and are solid metal. Value: If you're looking for "bang for the buck" then this is your product. It does a lot, especially for this price. zzSounds had the best price on this thing and they are great to deal with. They said it'd be delivered in 3-5 business days and it arrived in 4 days. During the process zzSounds kept me updated of the status via email. (Which I elected when ordering) I not only came out of this happy with the product, but I'll be ordering more from zzSounds because you order it, and WHAT you ordered shows up WHEN it's supposed to. (And also because I have a friend who recently ordered a large-ticket item had some issues that were the shipper's fault and zzSounds stepped in and took care of him quickly instead of waiting on the shipper to address it) Manufacturer Support: Like with any product, I often call the customer-support number BEFORE I buy anything. At DigiTech an actual HUMAN answered the phone and was knowledgeable about the product. If you're looking for someone to take care of an issue, it appears that they'll be there. The Wow Factor: Yeah, it looks good down there on the floor in the dark - kind of like a missile-launch console. I can clearly see what setting its on and it kicks out enough light to see the pedal switches. Overall: The only way I'd consider replacing/upgrading this product is when I wear it out.
Style of Music: Varied
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zZounds has verified that this customer bought this product from us. This review has been selected by our experts as particularly helpful. "A very creative and versatile tool."
Sound: I play in a rock cover band playing everything from The Stones to Alice in Chains. I'm using this in conjunction with a PV 1x12 Valveking combo utilizing the amp loop feature. SOUND QUALITY-Very clear and low noise from high gain models. Noise gate eliminates any unwanted noise but I had to tweak it to my playing style. You can get some very nice tones from this unit, but it is not a plug and play. You have to have the patience to go into it and tweak and find your sound, which I found to be entertaining in itself. Some of the sounds are not that great. I did not like the harmonizer. It sounds fake. Best cabinet models are the classic, vintage and rectifier 4x12's. Some of the amp models sound very good while others not so much. It's alot easier to model a distorted tube amp than all the subtle nuances of a clean one. So I use my amp's clean channel in the amp loop for my clean tone. You can set this up in a preset. Some of the distortion pedals sound great while others not so much. The tube screamer and sparkle drive sounded best to my ears. The responds to touch very well and cleans up when you turn down the guitar volume. VERY IMPORTANT to my playing style. Feature: Too many too use! I use this unit in pedalboard mode. I found the best clean tone using my amp's clean channel in the amp loop. All my other main tones utilze the unit's modeling. They sound realistic enough for me and I have receieved many compliments on my tone. I have my classic rock tone(Plexi Model)80's rock(JCM800)modern rock(Dual Rectifier and 5150)and set up a solo/delay pacth with the Soldano model. I have the option to add FX with switches 6-10. The acoustic sim. is OK. Not great but it does the job without the hassle of dragging an acoustic to the gig. I put my amp in standby and just use the PA and monitors to amplify that signal. The tap tempo is also a nice feature for delay times. I used to have to reach down and make an adjustment 20 times a night. The 20 second looper works great for practing solos over a rythym part. I do wish you could change amp channels within the presets but that's just a little thing. Ease of Use: Ease of use and being able to switch individual FX on/off within a preset is what sold me on this unit. Any decent guitarist with half a brain should be able to figure this unit out and get some good tones. Compared to other switching systems I have used this thing is a breeze. I had a good basic sound going in about 10 minutes when I 1st started tweaking and programming presets.I did familiarize myself with the user manual online before mine arrived. Some of the factory presets are decent through headphones but when you bring your amp inline things change and you have to tweak the tones and FX. I play in a rock cover band and having the option of so many different tones at the click of 1 switch is what sold me on this unit. In live situations you can adjust FX level, amp gain and volume levels on the fly with the twist of a knob. Expression pedal acts as a volume pedal and switches to wah at soft touch of the toe(almost too soft). You can asign different things too it but I haven't dove that far into it. The display and edit grid are fantastic. I don't need my glasses to tweak and editand it is very visible on a dark stage. Tuner will adjust to drop tunings and just hold down the swich of whatever patch you are in and you go into silent tuning. Awesome. This thing has reduced my setup time, cleaned up and organized my rig and improved my live performance. In short I am a much more versatile and better player with this unit. Quality: This thing is built like a tank and looks cool as hell on stage. Knobs are plastic but are well recessed. The FX edit grid is recessed and would form a pool for any liquid spilled on it so BE CAREFUL! I did purchase an SKB pedal case to carry it in for another $50. Senseless to spend $400 on a pedalboard system and not have a case to protect it. I have forbidden anyone from coming within 5 ft. of it with any liquids :)and I keep it covered with a heavy towel in the bandroom when not in use to keep the dust off it. Value: I did an enormous amount of reasearch before I bought this. This seemed to have the most features and best overall quality as compared to some other units in this price range. Ease of use is simple. Manufacturer Support: I haven't had to deal with support for any other reason than original purchase. The 4 payment option made it easy for me to buy this with my debit card. I don't think there's another music supplier offering that which is the reason I bought this from ZZ Sounds. My 1st experience with this company. So far so good. The Wow Factor: Looks sexy on stage. People come up and check it out. Lots of switches and pretty lights. Overall: If someone stole it I'd buy another. I plan to use this until it breaks. That shouldn't be a problem anytime soon. I'm an older player and I expect this will be the last FX processor I ever buy.
Style of Music: Rock
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