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Behringer SX3242FX Eurodesk 32-Channel Mixer
24 XENYX Mic Preamps. Neo-classic British 3-band EQs. FBQ Feedback Detection system. 24-bit FX.
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If you want classic analog handling but can't skimp on superior digital effects and studio-grade mic preamps, the SX3242FX is your new best friend. This mixer's 24 mic inputs, 8 stereo inputs and 4 buses give you enough leeway to handle anything from a graduation speech to a 5-piece band to a whole church service with praise band and choir.
The XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Behringer's neo-classic"British EQ" brings back the warmth and musicality of those '60s and '70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 real-world and awesome effect presets at your fingertips.
Classic control, state-of-the-art sound
Each of the SX3242FX's 24 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX's rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.
You may experience side-FX...
Whether you need to add a dab of reverb or delay to a live vocalist's mic or warp a hard day's studio session into psychedelic quicksand, the SX3242FX has you covered. they gave this mixer two independent studio-grade 24-bit stereo FX processors with 99 awesome presets (see full list below) to provide the perfect sonic garnish. "Sure they're great for live sound, but I have a lot of cool plug-ins for recording," they can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX3242FX's FX, you may want to give your overworked CPU a rest.
Naturally they gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi-effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 28 -- compression for the vocalist, reverb for the vocalist and snare drum, for example.
What the heck is "British EQ"?
A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio. Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60's and 70's. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop.
British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.
All SX3242FX mono channels have low and high shelving plus a sweepable "midrange" you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.
Kill feedback before it maims your audience.
When it comes to suppressing feedback, the SX3242FX is like having a bloodhound trained to spot trouble frequencies a mile away. The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.
The Ins and Outs
Some manufacturers make what they call 32-input mixers that count stuff like CD/TAPE IN as an input. But the SX3242FX really gives you twenty-four honest mono channels plus eight stereo channels, making it easy to accommodate a variety of studio or live performance configurations. You can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards or tone modules, for example).
You can combine these input in four different sub-mixes (we call them buses). That allows you to blend multiple channels--say all the mics on a drum kit or all the backup singers' mics--to a single fader, which is easier to adjust for the overall mix that goes to the PA speakers. You can also use one or more of the sub-mix buses to create custom monitor mixes for picky members of your band ("More me! More me!").
A zillion ways to change the channel
Chanel StripAt the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a
Four stereo input channels with 4-band EQ plus 4 additional stereo input channels with Level and pre-fader Aux controls
Neo-classic British 3-band EQs with semi-parametric mid band
Two independent 24-bit stereo FX processors with 100 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
High-precision 9-band stereo graphic EQ for monitor or main mixes
FBQ Feedback Detection system
Peak LEDs, Mute, Main mix and subgroup routing switches, Solo and PFL functions on all channels
Inserts on each mono channel and main mix for flexible connections to outboard processors
4 Subgroup outputs and additional Mono output with sweepable Low Pass filter for subwoofer application
4 Aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)
Balanced Main mix outputs with 1/4 inch jacks and gold-plated XLR connectors, separate Control room, Headphone and stereo Tape outputs
Solo-In-Place and Pre-Fader-Listen functions plus full-featured Talkback section
Standby switch mutes all channels during breaks while background music is provided via CD/Tape inputs
Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls
Internal auto-ranging power supply (100 - 240V)
The XENYX Mic Preamp matches the sound quality, transparency, headroom and even the dynamic range of boutique-style, stand-alone mic preamps. Behringer's neo-classic"British EQ" brings back the warmth and musicality of those '60s and '70s mega-console desks that made music history. The XENYX FX mixers incorporate a new studio-grade 24-bit FX processor. Get 100 real-world and awesome effect presets at your fingertips.
Classic control, state-of-the-art sound
Each of the SX3242FX's 24 mic inputs connects to our world-famous, studio-grade XENYX mic preamps. They are legendary for their high headroom, warm natural timbre and utter lack of background noise. Plug in a large-diaphragm condenser mic and track a vocal to hear XENYX's rich detail and spaciousness. Plug in a dynamic mic and stick it inside a bass drum to appreciate the whopping headroom.
You may experience side-FX...
Whether you need to add a dab of reverb or delay to a live vocalist's mic or warp a hard day's studio session into psychedelic quicksand, the SX3242FX has you covered. they gave this mixer two independent studio-grade 24-bit stereo FX processors with 99 awesome presets (see full list below) to provide the perfect sonic garnish. "Sure they're great for live sound, but I have a lot of cool plug-ins for recording," they can hear some of you saying. Truth be told, you never have too many effects. And when you hear the quality of the SX3242FX's FX, you may want to give your overworked CPU a rest.
Naturally they gave you a whole palette of creative effects like reverb, chorus, flanger, delay and pitch shifter tones, as well as mind-bending multi-effects to take your sound out of this world. But you also get problem solving workhorses like compression and gating plus final effects such as Ultramizer, Ultrabass and Exciter that can put a PA or studio mix over the top. And because there are two processors, you can cue two separate effects, then apply one or both to channels 1 through 28 -- compression for the vocalist, reverb for the vocalist and snare drum, for example.
What the heck is "British EQ"?
A good thing to have on your side when you start reaching for those channel equalization knobs. At a live concert or in the studio. Think of it as kinder, gentler, more musical EQ like the type found on classic British consoles from the 60's and 70's. Single malt scotch instead of Everclear. Home-baked cherry cobbler instead of an artificial cherry lollypop.
British EQ's distinct configuration of wider curves/lower Q and harmonic phase characteristics allows you to add or subtract EQ more generously than you can with conventional EQ circuit designs. When you add low midrange, you get a firmer sound instead of a nasty bonk. When you back high frequencies off a bit, treble backs off just a hair instead of turning muffled.
All SX3242FX mono channels have low and high shelving plus a sweepable "midrange" you can move anywhere from 100Hz to 8kHz. Think of it as your roving English troubleshooter.
Kill feedback before it maims your audience.
When it comes to suppressing feedback, the SX3242FX is like having a bloodhound trained to spot trouble frequencies a mile away. The 9-band graphic EQ (which you can choose to apply to your main mix or monitor mix via the MAIN/AUX1 button) features the FBQ Feedback Detection system. It makes finding and adjusting critical frequencies a snap. Just push FBQ IN, then watch as LEDs on the individual EQ sliders light up, indicating which frequency bands are causing feedback. Simply adjust until the LED goes dim.
The Ins and Outs
Some manufacturers make what they call 32-input mixers that count stuff like CD/TAPE IN as an input. But the SX3242FX really gives you twenty-four honest mono channels plus eight stereo channels, making it easy to accommodate a variety of studio or live performance configurations. You can connect up to 24 microphones or other mono instruments and up to four stereo instruments (keyboards or tone modules, for example).
You can combine these input in four different sub-mixes (we call them buses). That allows you to blend multiple channels--say all the mics on a drum kit or all the backup singers' mics--to a single fader, which is easier to adjust for the overall mix that goes to the PA speakers. You can also use one or more of the sub-mix buses to create custom monitor mixes for picky members of your band ("More me! More me!").
A zillion ways to change the channel
Chanel StripAt the top of each mono channel, you'll find both a balanced XLR input with a XENYX mic preamp and a
Technical Info
24 XENYX Mic PreampsFour stereo input channels with 4-band EQ plus 4 additional stereo input channels with Level and pre-fader Aux controls
Neo-classic British 3-band EQs with semi-parametric mid band
Two independent 24-bit stereo FX processors with 100 presets including reverb, chorus, flanger, delay, pitch shifter and various multi-effects
High-precision 9-band stereo graphic EQ for monitor or main mixes
FBQ Feedback Detection system
Peak LEDs, Mute, Main mix and subgroup routing switches, Solo and PFL functions on all channels
Inserts on each mono channel and main mix for flexible connections to outboard processors
4 Subgroup outputs and additional Mono output with sweepable Low Pass filter for subwoofer application
4 Aux sends per channel: 2 pre/post fader switchable for monitoring/FX applications, 2 post fader (for internal FX or as external send)
Balanced Main mix outputs with 1/4 inch jacks and gold-plated XLR connectors, separate Control room, Headphone and stereo Tape outputs
Solo-In-Place and Pre-Fader-Listen functions plus full-featured Talkback section
Standby switch mutes all channels during breaks while background music is provided via CD/Tape inputs
Long-wearing 60 mm logarithmic-taper faders and sealed rotary controls
Internal auto-ranging power supply (100 - 240V)
24 XENYX Mic Preamps, 3-band British EQ, Feedback Detection, and 24-bit FX.
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Behringer SX3242FX Eurodesk 32-Channel Mixer Reviews
10 out of 10
zZounds has verified that this customer bought this product from us.
"Impressive feature set and sound quality for a couple of day's overtime pay."
Feature:
It would be nice to have two more pre-fader sends, but at this price-point the existing feature set probably makes this too costly. By getting the 24 xlr versin, I create a third mix using the inserts to patch over to other unused channel line inputs. Then I assign those to a subgroup or two and not to the mains. The faders can be used to create the third or even fourth mix with some creative experimentation. Direct outs could be good, but the inserts can be used as d/o, and for me it's enough.
Quality:
everything is perfect out of the box. The controls are firm, with the faders the least firm, but very smoothe and controllable. The fit and finish is on a par with everybody else...just fine. I am not the least bit worried about the "horror stories" as they have simply become urban legend on the web. My own personal experience with behringer, and local music store information has laid all these stories to rest around here. How long will it last? I don't plan to throw it arouns, so I expect years of usage.
Value:
Hands down winner here. Nothing else is even close. You will find some used boards with more sends, but fewer channels, new boards with less of everything, any variation in-between. Pound-for-pound, dollar-for-dollar..this board has more of the typical weekend-warrior needs covered for less money.
Desirability:
It's gorgeous...maybe not exactly like the onyx is gorgeous. A little more of a retro-gorgeous. It is not, BTW a close cosmetic copy of the onyx if you are an observent person....a little siver here and there doen't make them look alike in my book.
Sound:
There is no downside to the sound of this board. The preamps are transparent and quiet, special effects work great, plenty of headroom...everything you ask a mixer to do for your sound is there. Making vocals and instruments sound the way they go in is extremely important, and this board is that way. You can, however tweak everything to get whatever "version" of those sounds you want.
Ease of Use:
intuitive, well grouped controls. well written manual, although I have previouss mixer experience. I don't think anybody quite matches mackie in this department...user friendly manual, that is. Behringer Online support is there for any questions. I can't think of an easier way to add a subwoofer than to use this mono out with adjustable volume and adustable lpf...in conjuntion with the adjustable hpf on my behringer eq...unbelievable difference in the clarity and power requirements of my system from this one feature.
Support:
I have never needed any supports except for simple questions...always a prompt, courteous response.
Overall:
I have no inkling to look for a different mixer. I shopped for 6 months and did extensive research to determine if the internet babble on three very vocal forums was really the majority opinion. It is not. It is also not based on current information regarding behringer products or business practices. I bought this mixer because I am an educated consumer who knows what I want and what it's worth. My music sounds better, my bands needs are now met, and this mixer is a key ingredient. The common recommendation for a small mixer with 16 inputs and 6 sends is around $1000. That is simply not a player for many folks. Neither is a legitimate need or technical ability to use 6 sends. This board had 24 mono channels and so many routing options, a competent sound person will find the sends more than adequate for the weekend gig band. I'd replace it with another one...or add a 2442fx or some xenyx version if the need for a monitor board ever arose...that beside this would be capability well beyond any reality I see in my forseeable future.
It would be nice to have two more pre-fader sends, but at this price-point the existing feature set probably makes this too costly. By getting the 24 xlr versin, I create a third mix using the inserts to patch over to other unused channel line inputs. Then I assign those to a subgroup or two and not to the mains. The faders can be used to create the third or even fourth mix with some creative experimentation. Direct outs could be good, but the inserts can be used as d/o, and for me it's enough.
Quality:
everything is perfect out of the box. The controls are firm, with the faders the least firm, but very smoothe and controllable. The fit and finish is on a par with everybody else...just fine. I am not the least bit worried about the "horror stories" as they have simply become urban legend on the web. My own personal experience with behringer, and local music store information has laid all these stories to rest around here. How long will it last? I don't plan to throw it arouns, so I expect years of usage.
Value:
Hands down winner here. Nothing else is even close. You will find some used boards with more sends, but fewer channels, new boards with less of everything, any variation in-between. Pound-for-pound, dollar-for-dollar..this board has more of the typical weekend-warrior needs covered for less money.
Desirability:
It's gorgeous...maybe not exactly like the onyx is gorgeous. A little more of a retro-gorgeous. It is not, BTW a close cosmetic copy of the onyx if you are an observent person....a little siver here and there doen't make them look alike in my book.
Sound:
There is no downside to the sound of this board. The preamps are transparent and quiet, special effects work great, plenty of headroom...everything you ask a mixer to do for your sound is there. Making vocals and instruments sound the way they go in is extremely important, and this board is that way. You can, however tweak everything to get whatever "version" of those sounds you want.
Ease of Use:
intuitive, well grouped controls. well written manual, although I have previouss mixer experience. I don't think anybody quite matches mackie in this department...user friendly manual, that is. Behringer Online support is there for any questions. I can't think of an easier way to add a subwoofer than to use this mono out with adjustable volume and adustable lpf...in conjuntion with the adjustable hpf on my behringer eq...unbelievable difference in the clarity and power requirements of my system from this one feature.
Support:
I have never needed any supports except for simple questions...always a prompt, courteous response.
Overall:
I have no inkling to look for a different mixer. I shopped for 6 months and did extensive research to determine if the internet babble on three very vocal forums was really the majority opinion. It is not. It is also not based on current information regarding behringer products or business practices. I bought this mixer because I am an educated consumer who knows what I want and what it's worth. My music sounds better, my bands needs are now met, and this mixer is a key ingredient. The common recommendation for a small mixer with 16 inputs and 6 sends is around $1000. That is simply not a player for many folks. Neither is a legitimate need or technical ability to use 6 sends. This board had 24 mono channels and so many routing options, a competent sound person will find the sends more than adequate for the weekend gig band. I'd replace it with another one...or add a 2442fx or some xenyx version if the need for a monitor board ever arose...that beside this would be capability well beyond any reality I see in my forseeable future.
Submitted: 10/30/2008
Style of Music: Christian contemporary..rock and souther rock styles.
10 out of 10
"As good as it can be..."
Feature:
Everything is here. Many more features than others mixers in this category. Very good, very good, very good....
Quality:
As far as you power it on and still works it's just fine.
Value:
If you have psychologicall problems when viewing the Behringer's logo, on your gear, take this tag out and put a Mackie one on. Then you gonna have it all...
Sound:
Actually, all those who complain about Behringer's quality they don't have even a single DI for themselves, in most cases... They just "talking" and they are very sure that can accuse Behringer, because it's just a cheap one company and its very easy to say : "It's Behringer and thats why it's bad...". When they ask for me to rent them my PA system for a live gig, they want to have the Nexo PS15, a Midas mixer, Neumann mic's, etc, and they want to pay 150$ for one night... Well for all those "i know everything and i want the best" guys, i have to tell this : The last 2 years Behringer make some new models that they are REALLY good, just like the Xenyx series. I have 3 Yamaha's digital mixers and 2 Xenyxs and some times i prefer to work with the Xenyxs. I will never buy a Mackie, a Soundcraft, or whatelse insted of a Xenyx. Period.
Ease of Use:
If you know to work with a pro mixer, you don't have to take even a single look in the manual.
Overall:
I want to pay and buy something that will work fine and give me back some money. I don't want to pay Mackie's new factory, or the brand new Ferrari of Mida's chief president... After all they are all machines, it's not the meaning of life.
Everything is here. Many more features than others mixers in this category. Very good, very good, very good....
Quality:
As far as you power it on and still works it's just fine.
Value:
If you have psychologicall problems when viewing the Behringer's logo, on your gear, take this tag out and put a Mackie one on. Then you gonna have it all...
Sound:
Actually, all those who complain about Behringer's quality they don't have even a single DI for themselves, in most cases... They just "talking" and they are very sure that can accuse Behringer, because it's just a cheap one company and its very easy to say : "It's Behringer and thats why it's bad...". When they ask for me to rent them my PA system for a live gig, they want to have the Nexo PS15, a Midas mixer, Neumann mic's, etc, and they want to pay 150$ for one night... Well for all those "i know everything and i want the best" guys, i have to tell this : The last 2 years Behringer make some new models that they are REALLY good, just like the Xenyx series. I have 3 Yamaha's digital mixers and 2 Xenyxs and some times i prefer to work with the Xenyxs. I will never buy a Mackie, a Soundcraft, or whatelse insted of a Xenyx. Period.
Ease of Use:
If you know to work with a pro mixer, you don't have to take even a single look in the manual.
Overall:
I want to pay and buy something that will work fine and give me back some money. I don't want to pay Mackie's new factory, or the brand new Ferrari of Mida's chief president... After all they are all machines, it's not the meaning of life.
Submitted: 03/19/2009
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