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Behringer REV2496 Dual Engine Reverb Modeler

4-channel operation. 32-bit internal signal processing. 10 different routing types. (25) Read 4 reviews for this product | Rate and review this product
Ships to: Can ship to United States
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Behringer REV2496 Reverb

The REV2496 is a reference-class reverb modeler that simulates some of the world's most renowned reverb processors. It features two independent effects processors with both analog and digital connectors, 8 high-end reverb algorithms, modulation effects, and stereo Compression. Its high-quality 24/96 converters plus full 96kHz operation with both effects processors (all 4 channels!) guarantees absolute high-end performance.

A full-featured digital interface with AES/EBU and optical S/PDIF I/O, Wordclock In and MIDI capability allow flexible integration with other digital equipment. Navigating the REV2496 is intuitive and easy, with soft push/turn encoders, a big preset wheel, a high-resolution LCD display and a TAP button. Separate ROM and user preset banks put a total of 400 presets at your fingertips - and open architecture allows future software updates via MIDI. Balanced inputs, servo balanced outputs on XLR and 1/4 in. TRS connectors.

Features:
Reference class reverb modeling processor with high quality 24-bit/96kHz A/D and D/A converters

Full 4-channel operation up to 96kHz without any limitations, providing two separate effects processors in one unit

8 high end reverb algorithms, modeled after world class reverb processors

Additional high quality modulation effects from X-over Delay to Chorus/Flanger plus stereo Compressor

Full Featured digital interface with AES/EBU in/out, optical S/PDIF in/out, Wordclock in, and MIDI function for flexible use with digital equipment

Ultra high-resolution SHARC processor with 32-bit internal signal processing for ultimate sonic resolution

10 different routing types for flexible assignment of analog and digital connectors to both stereo engines

Innovative user interface with soft push/turn encoders, big preset wheel, high-resolution graphic LCD display and additional TAP button for delay times

Direct access to 4 effect parameters makes editing easy and comfortable

Intuitive editing of up to 30 parameters using specially designed graphic mode

Separate ROM and user preset banks with 400 presets total

Balanced inputs and servo-balanced outputs and gold-plated XLR and 1/4 in. TRS connectors

Open architecture allows future software updates via MIDI

Internal switch mode power supply for maximum flexibility (100-240V~), noise free audio, superior transient response plus lowest possible power consumption for energy saving

Designed in Germany. Manufactured under ISO9000 certified management system

zZounds is an authorized dealer of Behringer products.
Analog Inputs:
- XLR Balanced
- 1/4 in. TRS stereo balanced

Input Impedance: approx. 22k ohms balanced

Maximum Input Level: +16 dBu

Analog Outputs:
- XLR Servo-Balanced
- 1/4 in. TRS stereo servo-balanced

Digital Input 1:
- Type: XLR servo-balanced
- Standard: AES/EBU or S/PDIF
- Input Impedance: 110 ohms
- Nominal Input Level: 0.2-5v peak to peak

Digital Input 2:
- Type: TOSLINK optical
- Standard: AES/EBU or S/PDIF

Digital Output 1:
- Type: XLR servo-balanced
- Standard: AES/EBU or S/PDIF

Digital Output 2:
- Type: TOSLINK optical
- Standard: AES/EBU or S/PDIF

Sync Input:
- Type: BNC
- Standard: WordClock (1x sample rate)
- Input Impedance: approx 50k ohms
- Nominal Level: 2-6v peak-to-peak

MIDI Interface:
- Type: 5 Pin DIN jacks In/Out/Thru

Dimensions: 19 x 1.75 x 8.5 in. (482.6 x 44.5 x 217 mm)

Weight: 4.75 lbs (2.15kg)
If you have additional warranty questions, please contact the manufacturer at 702-800-8290
Customer Reviews
4.5 out of 5 (25 ratings) Rate and Review This Product
"So cheap?! So versatile?!! GO BUY IT !"
Sound: Some complain about it being thin, cheap, which for the price tag wouldn't be too hard to believe. !! BUT !!, there are a few things you can do, that are not obvious at first, but can help you get amaizing stuff out of it. Ie if you want more control over ER in the reverb department, you could simply use combi/parallel, using two Gold plates end tweak it to your likings. This way you get double the control over ERs... Another one is control over ER diffusion. Simply use serial config but be careful which reverb you choose as the last one. By the way, iMHO, using only EQ and reverb you can get any landscape you want. Ever listened to arca, sigur ros or Informations "biomekano"? :) Feature: Read that 'sound' part? Just don't let me start with delay section, as here is where you can use your production skilz to great extent (doubling,...) Ease of Use: If you know what decay and ER are, it isn't much of a trouble. If you've seen Virtualizer or even other FX units you won't even look at the manual. Quality: Behringer quality, i think, is famous everywhere. If it dies, it's dead. It can happen any minute - my Behringer mixer died on a live show. How NOTcool is that?! And also the knobs - am, be gentle, maybe? Value: Man, the versatility you get for 200 bucks?!! I don't care if it's crappy built, i don't want FX unit to limit me... For 200 bucks, that is. Manufacturer Support: Not yet. The Wow Factor: I got it, thinking of another one as a dedicated Delay or ER generator unit. Overall: Becouse of the
Style of Music: Anything that's honest
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"One of the best, not for the price, but one of the best, PERIOD."
Sound: Sounds much better than similar priced Lexicon low-end series. With proper tweaking of the comprehensive parameters, its most elaborate V-Verb algorithm in particular offers virtually limitless possibilities. I was even able to replicate my favorite Lexicon PCM-series studio reverbs, particularly the highly effective yet subtle Hall effects with smoooooth reverb tails. For the price, nothing beats it. At double/triple its price, probably only a handful can. In my experience, only the venerable Lexicon surround processor beats it to the dust. But at how many times the price... Feature: The most important feature to me is the comprehensive set of effects editing parameters. And the fact that this is a REVERB MODELER, and excels at what it does best without trying so hard to do everything else equally well (what other budget effects processors tend to do, and end up not doing great at anything at all). This is a focused product, with REVERB as the main focus of its feature set. Ease of Use: This has probably the easiest-to-use user interfaces on an effects processor, Lexicon's latest PCM96 included. The LCD UI is analogous to a computer operating system with multiple tabs to manage the plethora of settings... here they call it "pages". And the parameters on each page are mapped (logically and graphically on the LCD) into 4 control knobs on the faceplate. How more intuitive can that get? Quality: Surprisingly, this unit doesn't look or feel cheap at all. Even given the affordable price. Without knowing what it really costs, you'd think it's a much more expensive piece of equipment. My friends did. Value: Of all the home studio equipment I own, this is probably the best bang for the buck. Even compared to other Behringer stuff that I own. Manufacturer Support: Never needed to contact them. So to be fair, I'd give them a 10, unless in the future I experience something bad. The Wow Factor: This product has an elegant appeal to it. The front panel is well laid-out. And the large LCD just screams high-tech. Overall: This is a keeper. I probably won't be swayed to buy even an expensive Lexicon gear, even when I collected enough money... except maybe for a 960L, which to me is still the best effects processor in the world.
10 of 11 people (90.91%) found this review helpful. Did you?
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