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Behringer DSP2024P Virtualizer Pro Digital Effects Processor
71 new algorithms. 11 effect combinations.
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About This Product!
Description
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From Our Catalog
With the new model Virtualizer Pro Behringer has recreated a classic, making a great effects unit much better. First of all, it features 71 brand-new, impressive effect algorithms, giving you powerful modulation, amp simulation, distortion, and special effects as well as effective dynamic and psychoacoustics processing and equalization on top of the renowned wave-adaptive Virtual Room reverb algorithms. Add up to 7 adjustable parameters, high and low EQ, 11 serial or parallel effect combinations, true stereo processing with most algorithms and an improved user interface, and you've got the best Virtualizer Pro that ever hit the market.
More than just the delay, reverb, and modulation effects you'd expect! Among its impressive 71 algorithms, there are also dynamic, amp simulation, distortion, and psychoacoustic effects—all 24-bit! Up to 7 editable parameters per preset, with 100 factory and 100 user presets. XLR and TRS I/O.
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Item: BEHDSP2024P
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Behringer DSP2024P Virtualizer Pro Digital Effects Processor Reviews
10 out of 10
"Great little unit"
We were in the market for a good reverb, possibly combined with chorus and a few other effects, and it shouldn't cost an arm and a leg.
The Behringer DSP 2024 gives us all that and much more. Reverb and chorus sound great, the ultrabass and various compressor presets are simply outstanding, and there are a host of other effects that sound like they should be useful. It'll take some time to fully explore this marvel. The dials to control the effects are very handy and easy to use. I much prefer them over the buttons you get on other similar units.
To top it off, this unit is very inexpensive. I am actually toying with the idea of buying a second one.
The Behringer DSP 2024 gives us all that and much more. Reverb and chorus sound great, the ultrabass and various compressor presets are simply outstanding, and there are a host of other effects that sound like they should be useful. It'll take some time to fully explore this marvel. The dials to control the effects are very handy and easy to use. I much prefer them over the buttons you get on other similar units.
To top it off, this unit is very inexpensive. I am actually toying with the idea of buying a second one.
Submitted: 10/03/2002
Style of Music: Covers
7 out of 10
zZounds has verified that this customer bought this product from us.
"Not bad, but a compromise"
Feature:
Not skimpy on the features, I haven't really dug into them enough to see how useful they are.
Quality:
Mine was a B-stock and was in perfect shape. Not a bad looking unit, has that trademark Behringer look, though, so if you're a Behringer hater, you'll hate it.
Value:
Compared to other new units, it's the price that will draw you to it (it did me), but you can get used Lexicons online for around this price and will most likely prefer their reverb sound, if reverb is your main reason for buying this.
Desirability:
It's aesthetically like most other Behringer boxes, and its specs are like most rack-mount DSPs.
Sound:
I haven't gotten into the depths of this unit yet and started tweaking, but the 200 presets have a lot of "sameness" about them, and in my rig (using it as an outboard FX for an AW416) they tend to sound very brittle and tinny, unlike the warmth you get with a Lexicon. Certain psychoacoustic FX, like subbass, can add a cool sound to a track or overall mix, but others, like ultrawide, just add an amazing amount of high end.
Overall:
Obviously this unit's selling point is it's price/feature ratio, but unfortunately I'm not all that happy with the sound, which is REALLY the prime consideration in audio, eh? I'll continue to work with it until I find an EQ setting that compliments it, but right out of the box, I rate it about a "7."
Not skimpy on the features, I haven't really dug into them enough to see how useful they are.
Quality:
Mine was a B-stock and was in perfect shape. Not a bad looking unit, has that trademark Behringer look, though, so if you're a Behringer hater, you'll hate it.
Value:
Compared to other new units, it's the price that will draw you to it (it did me), but you can get used Lexicons online for around this price and will most likely prefer their reverb sound, if reverb is your main reason for buying this.
Desirability:
It's aesthetically like most other Behringer boxes, and its specs are like most rack-mount DSPs.
Sound:
I haven't gotten into the depths of this unit yet and started tweaking, but the 200 presets have a lot of "sameness" about them, and in my rig (using it as an outboard FX for an AW416) they tend to sound very brittle and tinny, unlike the warmth you get with a Lexicon. Certain psychoacoustic FX, like subbass, can add a cool sound to a track or overall mix, but others, like ultrawide, just add an amazing amount of high end.
Overall:
Obviously this unit's selling point is it's price/feature ratio, but unfortunately I'm not all that happy with the sound, which is REALLY the prime consideration in audio, eh? I'll continue to work with it until I find an EQ setting that compliments it, but right out of the box, I rate it about a "7."
Submitted: 10/19/2004
Style of Music: Rock, Country, Electronic
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