- Home |
- Guitar |
- Bass |
- Keyboard |
- Recording |
- Computer Music |
- Live Sound |
- Drums |
- DJ |
- Accessories |
- Blowouts
This product is no longer available at zZounds.
We recommend this product instead:
AKG Perception 420 Studio Condenser Microphone
-
- New from $299.00
- List: $674.85
- SAVE: 51%
- In Stock
The AKG Perception 420 Studio Condenser Microphone features legendary AKG sound quality and a dual-element design that accommodates cardioid, omni, and figure-8 patterns. The Perception 420 includes a shock mount and a metal case, and is equipped with a -20dB pad switch and a bass cut filter switch that allows easy removal of wind noise and other unwanted low frequencies. Learn More...
Shop our website for related products:
(In most cases, a product is unavailable because it has been discontinued by its manufacturer.)
AKG Perception 400 Studio Condenser Microphone
Dual diaphragm 1 in., large-diaphragm. Cardioid, omnidirectional and figure-8 patterns. Bass roll-off switch. 10 dB pre-attenuation pad.
Because this item is used at your mouth or ear, it cannot be returned once opened due to health reasons. details
About This Product!
Description
Docs
The Perception 400 is a multi-pattern large-diaphragm, true condenser microphone with outstanding build quality and a unique combination of excellent performance, deluxe features and high value. The Perception 400 delivers a classic warm, transparent, yet detailed sound and it conforms to the stringent standards defined for AKG recording products, based on the company's 60-year heritage of know-how.
The Perception 400's dual diaphragm 1 in. large-diaphragm capsule allows a selection of cardioid, omnidirectional or figure-eight pickup patterns for flexibility in use. The switchable bass roll-off and pre-attenuation pads enable its use close to sound sources and in high SPL environments up to 145dB.
Perception 400's chassis is made of precision-tooled zinc/aluminum alloy and has a stainless steel grille screen that is dent-resistant. It comes complete with a spider-type shock mount in a metal carrying case.
Features:
Professional condenser microphone for general purpose applications
Dual diaphragm 1 in., large-diaphragm, true condenser capsule
Switch-selectable cardioid, omnidirectional and figure-8 pickup patterns
Switchable bass roll-off switch
Switchable 10 dB pre-attenuation pad
High 28mV sensitivity and 145 dB max SPL capability at less than 0.5% THD
Rugged metal housing with stainless steel grille
Spider-type shock mount included
Metal carrying case included
Polar Pattern: Cardioid, omnidirectional, figure-8
Frequency Range: 20 to 20,000 Hz
Sensitivity: 28 mV/Pa (-31dBV)
Max. SPL: 135 / 145dB SPL (0 / -10 dB) for 0.5% THD
Equivalent Noise Level (CCIR 468-2): < 26dB
Equivalent Noise Level: 16dB-A (to IEC 60268-4)
Signal/Noise Ratio (A-Weighted): 78dB (re 1 Pa)
Preattenuation Pad: -10dB (switchable)
Bass Cut Filter Slope: 12dB/octave, 300Hz (switchable)
Impedance: < = 200 ohms
Recommended Load Impedance: > = 1000 ohms
Supply Voltage: 48 Volts +/- 4 V phantom power to DIN 45 596 / 268-15IEC
Current Consumption: <=2 mA
Environment Temperature: -10 degrees C to +60 degrees C, R.H.: 80% (+25 degrees C)
Connector: 3-pin XLR-type (pin #2 hot)
Dimensions: 53 dia. X 160 mm / 2 x 6.3 in.
Net Weight: 525 grams / 1.2 lbs.
The Perception 400's dual diaphragm 1 in. large-diaphragm capsule allows a selection of cardioid, omnidirectional or figure-eight pickup patterns for flexibility in use. The switchable bass roll-off and pre-attenuation pads enable its use close to sound sources and in high SPL environments up to 145dB.
Perception 400's chassis is made of precision-tooled zinc/aluminum alloy and has a stainless steel grille screen that is dent-resistant. It comes complete with a spider-type shock mount in a metal carrying case.
Features:
Professional condenser microphone for general purpose applications
Dual diaphragm 1 in., large-diaphragm, true condenser capsule
Switch-selectable cardioid, omnidirectional and figure-8 pickup patterns
Switchable bass roll-off switch
Switchable 10 dB pre-attenuation pad
High 28mV sensitivity and 145 dB max SPL capability at less than 0.5% THD
Rugged metal housing with stainless steel grille
Spider-type shock mount included
Metal carrying case included
Technical Info
Type: Dual-capsule,1-inch large-diaphragm, true condenser pressure-gradient microphonePolar Pattern: Cardioid, omnidirectional, figure-8
Frequency Range: 20 to 20,000 Hz
Sensitivity: 28 mV/Pa (-31dBV)
Max. SPL: 135 / 145dB SPL (0 / -10 dB) for 0.5% THD
Equivalent Noise Level (CCIR 468-2): < 26dB
Equivalent Noise Level: 16dB-A (to IEC 60268-4)
Signal/Noise Ratio (A-Weighted): 78dB (re 1 Pa)
Preattenuation Pad: -10dB (switchable)
Bass Cut Filter Slope: 12dB/octave, 300Hz (switchable)
Impedance: < = 200 ohms
Recommended Load Impedance: > = 1000 ohms
Supply Voltage: 48 Volts +/- 4 V phantom power to DIN 45 596 / 268-15IEC
Current Consumption: <=2 mA
Environment Temperature: -10 degrees C to +60 degrees C, R.H.: 80% (+25 degrees C)
Connector: 3-pin XLR-type (pin #2 hot)
Dimensions: 53 dia. X 160 mm / 2 x 6.3 in.
Net Weight: 525 grams / 1.2 lbs.
What Our Customers Say About zZounds
"zZounds has been a great supplier for years!" - customer on November 6, 2009
AKG Perception 400 Studio Condenser Microphone Reviews
10 out of 10
"High build quality, versatility, good sound."
Feature:
The mic comes in a very very neat carry case with a very nice shockmount, high quality and all u need.
Quality:
Among all the cheaper made in china condensers, and yeah there are alot of them this one is the most solid built mic i handled. its tough, the shockmount is tough no cheap piece of crap.
Value:
Keeping the price in mind, its an amazing value for money. Very versatily and good sounding mic. But dont forget even though many makes out there can be "better" or whatever, its about your own skill. Proper mic positioning can be much more worthwhile then buying more expensive mics. Even a neumann or shoeps will sound crap placed wrong. Too often do i see amateurs buying exp mics without the proper knowledge.
Desirability:
For this money after testing it, couldnt afford not to buy it.
Sound:
I have used this mic alongside many other well known brands of mics in and around the same budget catagory. I found the akg to have a more neutral and clear sound with just that bit of top sparkle and detail that for example the rode's all mis in my expierence. Sounds great when used in omno, no proximity effect. But when due to circumstances u cant go omni, take cardiod and put op the high pass. using the -10db pad makes this a usefull mic even for a jazz kick drum, picks up great definition. much better then the usual D112 or shure beta 52. more detail and transient response. But dont forget, know how to place and position your mic. Proper positioning and knowledge of acoustics is worth more then getting a exp mic. The right position is a bigger difference then a wrong placed high end mic.
Ease of Use:
Its just a mic, very usefull like i said for much more areas then just vocal in a studio enviroment.
Support:
not used.
Overall:
I will be satisfied with this for as long as it will work. In due time when i can i might upgrade to the famous workhorse the 414.
The mic comes in a very very neat carry case with a very nice shockmount, high quality and all u need.
Quality:
Among all the cheaper made in china condensers, and yeah there are alot of them this one is the most solid built mic i handled. its tough, the shockmount is tough no cheap piece of crap.
Value:
Keeping the price in mind, its an amazing value for money. Very versatily and good sounding mic. But dont forget even though many makes out there can be "better" or whatever, its about your own skill. Proper mic positioning can be much more worthwhile then buying more expensive mics. Even a neumann or shoeps will sound crap placed wrong. Too often do i see amateurs buying exp mics without the proper knowledge.
Desirability:
For this money after testing it, couldnt afford not to buy it.
Sound:
I have used this mic alongside many other well known brands of mics in and around the same budget catagory. I found the akg to have a more neutral and clear sound with just that bit of top sparkle and detail that for example the rode's all mis in my expierence. Sounds great when used in omno, no proximity effect. But when due to circumstances u cant go omni, take cardiod and put op the high pass. using the -10db pad makes this a usefull mic even for a jazz kick drum, picks up great definition. much better then the usual D112 or shure beta 52. more detail and transient response. But dont forget, know how to place and position your mic. Proper positioning and knowledge of acoustics is worth more then getting a exp mic. The right position is a bigger difference then a wrong placed high end mic.
Ease of Use:
Its just a mic, very usefull like i said for much more areas then just vocal in a studio enviroment.
Support:
not used.
Overall:
I will be satisfied with this for as long as it will work. In due time when i can i might upgrade to the famous workhorse the 414.
Submitted: 08/28/2008
Style of Music: jazz, classical, rock
Questions? Our musicians can help you right now!
Toll Free
866.ZZOUNDS (996.8637)
Open until 10 PM EST
Mention priority code 782VBZN when you call
Toll Free En Español: 800.460.7976 Hours
Shop with those who respect your privacy—
we do.
Copyright © 1996-2009, zZounds Music, LLC.
Terms of use apply.
A-ID: 58701