Despite its ultra-compact size, this 4-channel line mixer is big on features! It yields the highest sonic quality at all output levels, boasting ultra low-noise 4580 operational amplifiers for outstanding audio performance'the same op amps found in its much bigger brethren. Expanding on the capabilities of standard-size mixers is where the MX400 does extremely well, for example as a sub-mixer. If you are running short on available channels on your "big" mixer and need to bring the output of three different keyboards into your mix, you can simply connect them to the MX400, work out the keyboard mix, and connect the MX400's output to a single input on your main mixer. Learn More...

Using high quality components, the PM-8 merges up to 8 analog channels into a clean and clear stereo pair, with all the sonic depth and dynamics intact. If your software is not cutting it, just use it for what it’s best at – multi-tracking! Leave the merging of the final stereo mix to the PM-8. And if you need more channels – just hook up another PM-8! As with all passive mixing devices, passively attenuating the signals will lead to a drop in the main mix output level. The PM8 offers a transparant active gain make-up stage (this requires the unit to be connected to mains power). If you do not need the make-up gain, or would like to use your own external make-up gain unit/preamplifer, you do not need to connect mains power to the PM8. The audio path will remain fully passive from input to output. Learn More...

Jam along with your iPod! JamDock is the cleanest way to integrate your iPod into your practice or live music setup. You can connect and mix in nearly any instrument including electronic drums and send your mix to the stereo outputs and headphone output. Learn More...