- New $229.95
- List: $319.00
- In stock
- 18 people rate: 7 out of 10
The Mic Thing is a portable multi-purpose acoustic treatment panel suitable for minimizing room artifacts and improving separation during microphone recording sessions. Great for a range of applications including helping to control room ambience, minimizing spill from instrument amplifiers, or even creating temporary control rooms the Mic Thing is certainly one handy thing! Learn More...
- New $149.95
- List: $219.00
- More expected 6/16/2008
- 5 people rate: 10 out of 10
The M-Patch 2 is a compact desktop/rack-mountable sized passive volume attenuator and patch control device. Building on the success of the original M-Patch, the new M-Patch 2 is a feature packed passive problem solver for nearly all production environments. Learn More...
- In stock
- 3 people rate: 10 out of 10
The CT2 is a multi-format cable/connector test unit designed to quickly and efficiently test a wide variety of standard audio cables and connectors Learn More...
- New $399.95
- List: $569.00
- Blowouts save up to $70!
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- In stock
Using high quality components, the PM-8 merges up to 8 analog channels into a clean and clear stereo pair, with all the sonic depth and dynamics intact. If your software is not cutting it, just use it for what it’s best at – multi-tracking! Leave the merging of the final stereo mix to the PM-8. And if you need more channels – just hook up another PM-8! As with all passive mixing devices, passively attenuating the signals will lead to a drop in the main mix output level. The PM8 offers a transparant active gain make-up stage (this requires the unit to be connected to mains power). If you do not need the make-up gain, or would like to use your own external make-up gain unit/preamplifer, you do not need to connect mains power to the PM8. The audio path will remain fully passive from input to output. Learn More...
- New from $79.95
- List: $258.97
- In stock
All studios require a flexible headphone amplifier to satisfy a multitude of monitoring needs. Sometimes you will need to distribute a stereo signal evenly to 4 sets of headphones. On other occasions, totally different mixes are required on each headphone. How can this be done? Enter the solution.... the SM Pro Audio HP4. Learn More...
- Only 2 left!
- 2 people rate: 10 out of 10
The SM DI4 value series is a multi function 4 channel direct injection box and stereo line mixer all in one single unit rackmount chassis. The SM DI4 value series features 4 channels of Unbalanced to Balanced converters with 10dB pad and earth lift selector provided per channel. Learn More...
- New $249.95
- List: $369.00
- In stock
The EP84 is the latest multi-channel microphone preamplifier from SM Pro Audio. Packed with quality features and connectivity options, this sturdy 2RU rack-mountable unit is designed to provide studio users with 8 channels of pristine microphone preamplification. The EP84 is the perfect front end for computer audio systems, stand-alone hard disk recorders, or just about any other analog or digital workstation.
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- New from $119.95
- List: $478.94
- In stock
The HP6 is a 6 channel headphone amplifier that can monitor up to 4 independent stereo sources with the flick of a switch. Learn More...
- New $169.95
- List: $199.00
- In stock
The new PR8-E multi-channel mic/line preamp is the vanguard of the "next-generation" in the SMPRO range. Using the latest components available and redesigned from the ground up, the PR8-E's carefully structured single circuit board design results is an exceptionally low noise pre-amp boasting a very high gain structure. Learn More...
- New $249.95
- List: $319.00
- In stock
- 16 people rate: 8 out of 10
The new "Red Valve" series TB202 valve (12AX7) mic pre-amp is a twin channel valve mic preamplifier that features independent switchable phantom power, phase reverse, -20dB Pad, optical compressor, and fully functional EQ all housed together in a single 1U rack mount chassis. Learn More...
- More expected 7/10/2008
- 32 people rate: 8 out of 10
The market size for digital audio interfaces and computer based digital editing has increased in a massive way. With systems available at very low prices, more and more users are utilizing this technology. One of the main problems with many of these systems is the input stage only consisting of unbalanced line inputs or very low (or no mic pre) gain structure for the balanced input stage and the unavailability of Phantom power. Learn More...
- Only 3 left!
- 3 people rate: 4 out of 10
With the addition of this ADAT lightpipe output, the SM PR8 MKII seamlessly fits into countless digital audio workstation configurations. Learn More...
- More expected 9/2/2007
- 12 people rate: 8 out of 10
The market size for digital audio interfaces and computer based digital editing has increased in a massive way. With systems available at very low prices, more and more users are utilizing this technology. One of the main problems with many of these systems is the input stage only consisting of unbalanced line inputs or very low (or no mic pre) gain structure for the balanced input stage and the unavailability of Phantom power.
Learn More...
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