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Just as the Les Paul Custom was the deluxe model of the Les Paul line, the Junior (also introducded in 1954) was the economy model. With its no-nonsense look,a single P-90 pickup, and initial price point of $49.50, the Junior was an instant sensation. In 1958, Gibson changed the Junior's body shape to a double cutaway, and changed the standard finish from Dark Sunburst to Cherry Red. Now part of Gibson's proprietary new Vintage Original Spec series -- the next step in our journey toward perfection. Learn More...
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With his scorching riffs and remarkable stage presence, Zakk Wylde has earned a reputation as one of heavy metal's premier lead guitarists. The Custom Shop teamed up with Zakk to create a guitar featuring Zakk's trademark black and antique white bullseye graphics, powerful EMG humbucking pickups, and raw, unfinished necks. Learn More...
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The only major change to the Les Paul Standard in 1959 was the addition of wider, fatter, "jumbo" frets, which facilitated more dramatic bends. The real force of this change was not felt until the late 1960s, when rock and blues players like Eric Clapton, Mike Bloomfield, and Peter Green began to discover the fat, warm voice of the '59 Standard. This moment in history marked the beginning of the idealization of the '59 Les Paul as the Holy Grail of guitars in the minds of professionals, collectors, and weekend warriors. Now part of Gibson's proprietary new Vintage Original Spec series -- the next step in their journey toward perfection. Learn More...
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Performance, playability and styling are the hallmarks of the Firebird VII. When first introduced in 1965, the Firebird VII was celebrated for its natural feel, fast action and wide range of tone. With its 9-ply Mahogany and Walnut neck-thru-body design, the 6-in-a-line banjo style machine heads and the adjustable ABR bridge and stop bar tailpiece, this guitar became the rage. Learn More...
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The only major change made to the Les Paul Standard in 1959 was the addition of wider, fatter "jumbo" frets, which facilitated wider bends. The real force of this change was not felt until the late 1960s, when rock and blues players like Eric Clapton, Mike Bloomfield, and Peter Green began to discover and capitilize on the fat, warm voice of the '59 Standard. Learn More...
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The 2-pickup Les Paul Special was introduced in 1955 as an intermediate model, positioned between the low-cost Les Paul Junior and the Les Paul Model. Originally available only in a single cutaway, the TV-style limed Mahogany finish, the Special was changed in 1959 to a double cutaway model and a Cherry Red finish was added to the mix. Now part of Gibson's proprietary new Vintage Original Spec series -- the next step in our journey toward perfection. Learn More...
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The Gibson Holy V Electric Guitar blends an innovative design with efficiency to make an absolutely must have guitar. The traditional features of the Flying V are apparent in the new Holy V including the mahogany V-shaped body, pointed headstock, and hybrid neck profile are all true to the original's design. Carefully carved vented openings in both the neck and headstock are a testament to Gibson's creative genius, giving the new Holy V a new, more intense look and character, while ending up as one of Gibson's lightest production guitars to date. Learn More...
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In 1960 the Les Paul Standard still had the flame maple top, sunburst finish, and "Patent Applied For" pickups of its predecessors, but a slim taper neck was added for a decidedly different feel. These final adjustments failed to save the Standard, however, and after 1960 the single cutaway Les Paul was replaced by the thin bodied, double cutaway SG. Learn More...
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