Until Fulltone's OCD (Obsessive Compulsive Drive), pedals just couldn't hold up to what a high quality amp could do. You lose all the touch sensitivity and you can forget about those complex Harmonics. It's always been somewhat of a compromise using Overdrive pedals until now. The OCD is designed to replicate the dynamics and harmonic structure of an overdriven tube amp, it uses a unique multi-stage distortion circuit, as opposed to the more common diodes-in-feedback-loop/diodes-to-ground configurations. The designers at Fulltone made this pedal for themselves, but they'll let you use it too. And you'll love it! Learn more...
The Fat Boost 3 is a discrete, class-A, FET (Field-Effect-Transistor) pedal offering up to 35dB of non-distorted Gain without changing your signature sound, unless that is what you desire. The FB3 allows you to fatten/distort your tone, brighten or mellow up the sound, add or subtract Bass, and add even-order harmonics!
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Along came a little thing called Catalyst, a tiny little Distortion Generator that has none of the drawbacks of your standard Fuzz pedal. It is an incredible Fuzz/Distortion (with toggle switch set to Flame position) and works as a Phenomenal clean-boost, and overdrive as well (with toggle switch set to Spark) The Catalyst has what is known in the company as a Max-end-all 2 Band EQ that features an excellent hi-cut with a great Bass control having the proprietary ability to bring in incredible sounding midrange when the pot reaches around 3 o'clock on its rotation.
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Save pedalboard space with the Fulltone MDV2. The lush, organic sounds of a perfect vintage Univibe clone are now available in a space no bigger than a standard wah wah pedal. But that's not nearly all that the Mini Deja'Vibe 2 offers. Learn more...
The Clyde Standard Wah by Fulltone is modeled after the Vox Clyde McCoy, used by Jimi Hendrix and Eric Clapton. Jimi used the Clyde McCoy while recording Electric Ladyland! Clyde McCoy was a big-band Trumpet Player in the '60s. He wasn't the best but became famous for getting a muted wah wah sound. Vox tried to approximate this muted trumpet sound in a guitar pedal... hence the Vox Clyde McCoy wah wah circa 1967. Learn more...
Housed in a beautiful powder coated Blue 16ga. steel enclosure, the first channel is the "Overdrive Mode" capable of Clean Boost or non-compressed overdrive or choose light to medium softer Overdrives all while retaining your guitar's original tone. The Tone knob is a very effective Presence control that can smooth out or add upper harmonics... There's also a footswitchable second channel "Boost Mode" with its own separate Distortion control for medium to higher gains with a more singing violin-like sustain! Learn more...
The Fulltone GT500 Dual Distortion/Booster Pedal gives you discrete F.E.T Hi-Gain Distortion and Overdrive Booster IN ONE PEDAL. On the Hi-Gain side you get Volume, Distortion knobs, Bass, Mid, and Highs minipots. The Booster Side has Volume, Overdrive knobs, Bass and Highs minipots. These hi-Q sealed minipots don't break either! Learn more...
Fulltone's Deluxe Clyde Wah. Guitar players know and love all of the features of the Clyde Standard Wah. This upgrade features: 3-selectable wah modes. True bypass with side-viewable light status. 10-step variable input level control. Learn more...
Fulltone's infamous FatBoost updated, redesigned, and improved! 100% JFET, Class A; totally op-amp free circuitry for the best possible signal purity. This pedal has the highest clean headroom of any boost pedal you will ever use, but with the Drive knob turned up you can also squeeze out a nice Tweed Fender-like crunch. The FB-2 can also offer a nice compressed tone that really evens out recording levels and tightens up your clean tone. The FatBoost 2's extremely Low Z output can drive your other pedals over the course of long cable runs with no signal loss!
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