125 memory locations. Auto-chromatic tuner. 15 rear panel connectors.
66 People rated this product : 8 out of 10
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11 People wrote reviews |
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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Feature:
This thing has more plug-ins than you could imagine. You can use it in the studio, playing live, hook it up to the computer, it doesn't matter. You still get that nice clean sound. I enjoy the fact that you can plug in the cans and not punish your wife. The earphone plug is as quiet as could be. I would like to have more volume, but then everyone probably didn't enjoy the 70s and 80s as I did.
Quality:
I put it in a gator rackmount and drug it out 30 or so times and it seems to be fine so far. It is made well and is beatiful with the red LED lights. Everything seems tight enough on it.
Value:
I have heard the Line 6 Pod that cost a lot more, and everyone that has heard it says the samples are better. I like it better because it is also a rackmount.
Desirability:
I think it is a great piece. It looks good sounds good and it is a tight package but, It does not make me horny. The sounds it makes with a good player would definately turn on the opposite sex. In all, great sex appeal.
Sound:
I play contemporary christian music in a large church and I needed something that was clean and does just about everything. I could not believe how clean the sound was, even without the denoiser turned on. I read that some off the players said this was noisy. I find that what you put in is what you get out. I plugged straight into the mixing board. I usually use a sansamp but I did not need it. Christian music has so many styles now, southern rock, grunge, funk, and slow ballads. I found a preset for every style you can imagine. It allowed me to pick from 32 different amps. These sounds are very close to the original sounds of such amps as Ampeg,Gallien Kruger, Meesa Boogie, SWR and many more. I must admit I haven't learned everything this thing will do. I play with it everyday and find out something new everday. It is a cool toy for me.
Support:
I don't know how you rate a company you haven't had to use, so I gave them an 10. There is a website that you can download patches and upgrades, and I think that is good. Manuel is easy to understand and can readily downloaded off the internet if you loose it.
Overall:
I expect to be satisfied with this for years to come. If it got damaged or blew up, I would buy another one if I get a year or so out of it. You can buy 2 of these for the price of a Line 6. I imagine both are made overseas, and I like the sound of this better.
Submitted: 2/5/2005
Style of Music: All musical styles
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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Feature:
My Bass V amp Pro did not come with a foot controller. I don't think I really need one as it is real quick to change the setting between songs. The controls are well lit so you can see the setting when the stage is blacked out or in a dark club. I think that the effects are more usable in real world situations than the Line 6 Bass Pod effects.
Quality:
The B-V Pro seem to be made well. The knobs are sturdy and has a nice looking finish. I like that the knob settings are lit red makes it easy to see and the woo...factor is good from the stage. If you rack mount the unit it should last a long time with normal club use.
Value:
This unit is a good value for the money. Less than the Bass Pod and for my needs (clubs and concerts) does just as good of a job.
Desirability:
The Bass V amp Pro looks better on stage than the POD. As far as looks go if you the Bass V amp Pro mounted in a rack and the Bass Pod side by side you would go with the Bass Vamp Pro.
Sound:
The Bass V amp Pro is really a nice piece of gear. It seems that Behringer did a good job of modeling the amps for the unit. I have also owned the Line 6 Bass Pod and find the Bass V amp Pro more user friendly. The sound works well with my rig as I use a power amp to power my speaker boxes ( a 15"w/tweeter and 18") on stage. I use the set-up were I am just using the selected amp heads (Ampeg, SWR, Trace Elliot, ect.) for my stage sound and the the amp/speaker simulated sound for the PA direct feed. Seems to make for a big sound.
Support:
Haven't dealt with the company for support needs.
Overall:
At this time if this unit were stolen I would go buy another one. Something bigger and better may come out soon but for now I sticking with the Bass Vamp Pro. The band I play with (Idle Hands, www.idlehandsdfw.com) have all said that they like the sound that I am getting with the Bass V amp Pro better than with the Bass Pod.
Submitted: 12/28/2003
Style of Music: Smooth Jazz, Rock, Funk
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