24-Bit/96 kHz record/playback quality. Portable system.
86 People rated this product : 7 out of 10
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17 People wrote reviews |
Read all Edirol UA25 USB Stereo Audio Interface reviews... |
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 8 out of 10
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Feature:
More I/O than I ever plan to use. Simple interface, Vista drivers available.
Quality:
Solid. My stuff takes a beating. This will hold up.
Desirability:
Not turned on.
Sound:
This is more than adaquate for live performance. I needed a a new device since new laptops have gone away from PCMCIA and this seemed to be the most cost-effective.
Ease of Use:
Plug'n Play. I installed the drivers, plugged it into the laptop and was ready to perform. Used it the same day on the job. Much easier than my pcmcia card when I need to change volume.
Support:
Latencies in Sonar are nothing like they claim. I have to set them considerably higher than my pcmcia card to avoid freeze-up and audio dropout. I am hoping my new laptop (a little more horsepower) will improve this.
Overall:
I'm hoping this will last until I need a new computer. If someone makes a hot smartcard I can use, I might make a change.
Submitted: 7/22/2007
Style of Music: Jazz, R 'n B, standards
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5 of 5 people (100%) found this review helpful. Did you?
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 8 out of 10
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Feature:
Pros:
- USB interface
- USB powered, even phantom mic voltage
Cons:
- USB interface is 1.1 only, which limits 24/96 operation to in or out, not both
- Use of the optical SPDIF input creates a loop, so you can only use in or out, not both
- Analog outputs are variable, not straight line level
- Headphone level is tied directly to analog output level
- Direct monitoring feed is only a volume, not a mix control
- No coaxial SPDIF or AES/EBU I/O
Quality:
Rugged case, controls and I/O nicely laid out
Value:
If I were designing this box the coaxial connections on the back would be SPDIF I/O; using the SPDIF input wouldn't create a loop; the
analog outs would be line level only; the output volume on the front would control the headphones only; the direct monitor control would
be a mix control between direct in and out; and the USB interface would be 2.0 or Firewire.
Two headphone outs with separate volumes would be a real plus. Stand-alone conversion between analog <=> SPDIF would be really nice as well. For that I'd pay $50-$100 more and the box would be a true Swiss army knife.
Desirability:
As it is, this box is great for remote recording i.e. with a lap-top, and the soft limiting can't be beat. But it sucks for mixdown due
to the SPDIF loop, the combined headphone / line output level control, and the poorly designed direct monitor.
Sound:
Pros:
- Mic pres are fairly quiet
- Very nice soft limiting of analog inputs
- Headphone output is quiet
Cons:
- Line inputs a bit hissy when gain is applied
Support:
No email tech support that I could find. Kind of pathetic in this day and age. Drivers version remains at 1.0.0 (which is good or bad depending on how you look at it).
Overall:
This little box is pretty nifty. I got it due to the all the handy interfaces it has. With a some changes it would be perfect IMO, but
as-is it is very frustrating to use for mix-down. The BCA2000 is better for home recording and mixdown, and is cheaper to boot, but my
BCA2000 poped the left channel when I was disconnecting a mic, so I decided to try this unit instead. I have rather mixed feelings
about it, but have somewhat grudgingly decided to keep it.
Submitted: 1/17/2005
Style of Music: Folk, Classical, Electronica
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4 of 4 people (100%) found this review helpful. Did you?
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"To sum up my experience, as impossible as it seems, everything was PERFECT! I can't wait to buy another amp!" - customer on December 1, 2008
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