The most variable and controllable guitar wah you can get. Learn More...

There is no single stomp box more famous than the Ibanez Tube Screamer. Thanks to tubelike distortion, smooth sustain, fat tone, and acclaim by artists too numerous to mention, the Tube Screamer has been and continues to be the world's most popular solid-state overdrive. So much so that after production of the TS9 ended in 1984, used TS9s were going for as much as 4 times their original price at vintage shows a few years later. Learn More...

Add new dimensions to your sound with the DE7 Delay/Echo pedal. Get the best of both worlds: high-tech digital sounds comparable to expensive rack units or warm vintage tape echo sounds - all with a simple flick of the switch. Time, Repeat, and Level controls help you dial in just the right amount of delay, while stereo outputs can be used for more spacious sound. With a range of 30ms to 2.6 seconds, the DE7 is the only sound solution for every playing situation. Learn More...

Featuring three different modes of lush deep chorus. The Tonelok TC7 Chorus pedal continues to push the boundaries of what a chorus pedal can do. It even allows you to mix together two different chorus effects. Finished in the heavy duty casing and Tone-Lok push knobs to lock your effects in place. Learn More...

If you're looking for new tones or you're still smoldering with resentment against synth bass keyboard players who took bass player's gigs in the 80's, the SB7 is the ticket. You've got real time feel - in other words no annoying tracking errors and delays. You can even play chords. Then there's the funky auto-wah (think "Theme from Shaft"), an 80's style syth bass sound (now it's our turn to take their gigs), and a deep and heavy synth bass. Learn More...

The CF7 creates shimmering soundscapes, whooshing jet plane sounds, and contemporary "Korny" churps and blurbs. The schizo "Krazy" switch lets the CF7 be a conservative Dr. Jekyll with the "normal" mode (classic chorus and flanger), or you can turn pedal into the proverbial Mr. Hydeáthe "Whack'd" mode imitates the contemporary modulation sounds used by today's phattest rock bands. It's like getting 2 pedals in one. Learn More...

When it comes to compact effects, nine is the magic number. By popular demand (and the understandably escalating prices of the originals), Ibanez is reissuing two of the most popular Ibanez 9-Series effects, the FL9 Flanger and CS9 chorus. If you missed out on getting one of these classics the first time around, now is the time. Learn More...

The PD7 lets bass players get in on the action. Ibanez has loaded this unit with 3 pre-amp style voicings and an attack control switch that accents the amount of harmonic content. It also features Drive, Lo, Hi, and Level knobs so dialing in your sound has never been easier. Loaded with growling low-end distortion, the PD7 is an essential addition to any rock bassist's set-up. Learn More...

Others may imitate, but no one else can duplicate the Ibanez Tubescreamer. The Tubescreamer isn't just a stompbox, it's an institution. The latest generation Tubescreamer, the TS7, is no exception. With the Tubescreamer's classic subtle-but-smooth overdrive, the TS7 expands the expressiveness of your guitar while maintaining its tonal integrity. Learn More...

It's been awhile since Ibanez offered the AD9 Analog Day effects pedal. As a matter of fact it's been well over 20 years. But the AD9 is finally back; and once again it's got the warm, thick analog delay you just can't get from a digital device. That kind of sound is why you still see old AD9's in the racks and pedal boards of players. Learn More...