Event ASP6 Studio Precision 6 Active Studio Monitor

Magnetically shielded. Low-end punch.

Item: EVEASP6

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    • $399.95
    • Installment Plan:4 payments of $99.98
    • List: $649.50
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customer reviews

Rate and Review This Product:

16 People rated this product : * * * * * * * * * * 8 out of 10

1 Person wrote a review :

* * * * * * * * * * 9 out of 10

"Off the damn chain!"

Quality:
build very solid.

Sound:
Sonic perfection! Wide and accurate, my mixes sound better on other systems than it sounds in the studio. In other words the good mix I get in the studio sounds near perfect when played in the car or on other home hifi systems. On these monitors you can see deep into the mix i.e. reverb tails. I A\B the 6 and the 8 for about an hour and the 8's have more low end but thats all. What drew me to the 6's were the vocal presention. On the 8's the vocols were good but not as natural as the 6's were imo. But my mixes have been very empressive since I bought these monitors, I shock myself sometimes using these monitors and I've been mixing for about 6 years. They dont have many reviews on the web but they are true to there name.

Support:
Don't know haven't needed it.

Submitted: 3/30/2006

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About This Product!
Description
Docs
The first time you listen to a pair of Studio Precision monitors, you'll almost surely shake your head in disbelief - then break out in a smile. We've seen it happen time and time again: People just can't believe that they're hearing a sound so big and so alive coming from direct field monitors. But your ears aren't deceiving you. Studio Precision monitors deliver a sound that's much wider, much deeper, much more defined, and packed with much more low-end punch than mere mortal direct field monitors. Simply put, they far exceed people's sonic expectations - and by a huge margin.

You see, even after years of designing a slew of award-winning products for the professional studio monitor market - the 20/20bas, Project Studio, and Tuned Reference biamplified monitors, to name a few - our venerable engineers, Frank Kelly and Walter Dick, were still on their quest to deliver the ultimate direct field monitor. They wanted to come up with a totally new design that would surpass anything they had done to date. A design that would cause recording musicians around the world to sit up and truly take notice. In short, a design that would bring a whole new dimension to the direct field monitoring experience.

So that's what they did. Sure, it took them two-and-a-half years. But, hey, they had to start from scratch.

Technical Info

Specifications

Low Frequency Driver: Magnetically shielded 6.5 in. mineral-filled polypropylene cone with neodymium magnet, 1-1/2 in. diameter high-temperature voice coil, and damped rubber surround

High Frequency Driver: Magnetically shielded 1 in. diameter ferrofluid-cooled soft dome neodymium radiator

Frequency Response: 40Hz - 20kHz, +/-3dB, ref. 500Hz

Amplifier Power: Biamplified, 280 Watts; 200W LF driver/80W HF driver; torroidal transformer

Crossover: 2.6kHz, active asymmetrical fourth-order

Controls: Continuously variable input sensitivity; continuously variable high frequency trim; continuously variable low frequency trim; switchable 80Hz second-order high pass filter

Inputs: Balanced XLR and 1/4 in.

Indicators: Power-on/Clip LED

Protection: RF interference, output current limiting, over temperature, turn on/off transient, subsonic filter, internal fuse, magnetic shielding

Dimensions (H x W x D): 13.625 x 10.75 x 10 in. (each)

Weight 25 lbs (each)
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