Behringer MIC2200 Ultragain Pro

Separate line input amplifiers. Switchable +48 V phantom power. Phase reverse switches.

Item: BEHMIC2200

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customer reviews

Rate and Review This Product:

27 People rated this product : * * * * * * * * * * 7 out of 10

7 People wrote reviews

* * * * * * * * * * 5 out of 10

"Optimism didn't help..."

Feature:
Great features, until they quit. EQ in one is extremely noisey. My other one overheated outdoors and just quits once its warmed up.

Quality:
I really reaaly like behringer products. This, however, does not get my vote. Signal POPs loud with eq in/out buttons, 48V buttons, line/mic buttons. One button stopped latching, hardly ever used. Unit is not vented, and self-overheated.

Value:
As a DI its probably great. Inability to hold up is poor.

Sound:
If you don't need alot of gain, and you don't use the eq, this unit is clean, clean, clean. very breathy, crystal sound, but not harsh...just accurate. Moderate to heavy gain introduces hiss and humm to an unacceptable, i.e., can't use it, level.

Ease of Use:
easy enuf to use, until they develop problems.

Overall:
replaced with presonus tubepre.

Submitted: 9/12/2006

Style of Music: rock, jazz, ccm

* * * * * * * * * * 6 out of 10

"I Like Behringer, but not this."

Feature:
It'd be nice if they all worked. Nice metering, phantom power, internal PS, balanced I/O, phase reverse and flexible EQ. EQ in one unit is a no-go. Other unit is clean and works fine. Output stage is good, but input stages are pretty rough.

Quality:
Two units, both mediocre after just over 1 yr of use, and I'm kind to my gear. I like Behringer products, but based on this experience I will not buy another pre from them, including the well-reviewed VX2496. Horrid power-off crackle. Also horrid pop with the eq in/out button. You CAN'T switch it live... it's that bad. With gains high, the pots make signal noise.

Value:
Limited vaklue at best. Both units are still clean as line-in DIs. Sound is still good with hotter inputs, like handheld mics. Fine with a gate. I still find the sound very good as long as minimal gain is needed.

Desirability:
Who puts a fakey backlit tube in a plastic window?

Sound:
I own two of these. New, they were very clean, crisp and transparent. Lots of available gain. Solid state with mild tube edge. New, they were great. On one, with age, a phntom power button fell apart, and the use of the eqs introduces intrusive amounts of noise. On the other, all kinds of noise has popped up. Lots of hiss, some hum. If the input gain is minimzed, so is the noise. The output gain is clean. I use these to enhance the limited sound of the wireless instrument capsule mic in my rig. A good pre has proven worthwhile, but the noise level from this one makes it unusable unless a gate is in the loop. I went back to my older one which has only been used for home recording and it has the same amount of noise - and I don't recall it having been that way before. So...new, 10, but aged, 6, which in a pre, makes it junk.

Ease of Use:
I'd say 10, except that NOW it's a pain to use because I have to play games with gain to minimize noise. I've got something else on order.

Support:
No experience

Overall:
I will not buy another pre from Behringer.

Submitted: 8/28/2006

Style of Music: R&B, dance, ccm, etc.

Read all reviews...

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About This Product!
Description
Docs
From Our Catalog
Audio Purity at Its Best
Like its predecessor, the new Behringer Ultragain Pro MIC2200 is once again causing sensation. It's the ideal extension to your console, sampler, hard disk recording system or DAT recorder. The extremely low-noise, high-end 2-channel microphone/line preamp with its warm tube sound lends your most demanding instrumental and vocal recordings incredible detail resolution and musical warmth. Helpful supplementary functions and dramatically improved sound make the Ultragain Pro an indispensable addition to your outboard gear.

Features
Extremely low-noise, high-end discrete microphone/line preamp

Integrated high-quality 12AX7 vacuum tube for super-musical tube sound

Microphone input stages based on state-of-the-art, ultra low-noise 2SA1084 transistor pairs

Extreme bandwidth from 2Hz to 200kHz for open, transparent sound

2 additional high-end parametric EQs

Independent level conversion from home to professional level (-10dBV/+4 dBu)

Super low-noise 4580 operational amplifiers for outstanding audio quality

Extremely flexible "Direct Inject Box" function

Soft mute function for +48V phantom power suppresses switching noise

Fully sweepable, switchable high-pass filter (12dB/octave)

Phase Reverse button for phase correction

Precise 12-segment output level display

Servo-balanced, gold-plated XLR and 1/4 in. TRS connectors

Professional-quality potentiometers and illuminated switches

Manufactured under ISO9000 certified management system

Back to the Future: Tube Technology from Behringer
In today's digital world the classic tube sound is experiencing a surprising renaissance. In Behringer's continuing effort to react to your demands, they've integrated a 12AX7 vacuum tube into the Ultragain Pro MIC2200. In doing this they managed to create an effective symbiosis of tradition and innovation, to further develop traditional tube circuitry and adapt it to modern professional audio technology.

The Best is Just Good Enough for You: Behringer's High-End Parametric EQ
Parametric EQs represent the state of the art in equalizer systems. That's why they're the perfect complement for the Ultragain PRO. Behringer's parametric EQ allows you to adjust all filter parameters: center frequency, bandwidth and amplitude. The highly precise state-variable filter allows musical frequency correction as well as creative sound shaping. Frequency switching allows you to sweep the entire frequency range from 10 Hz to 20 kHz for exceptional flexibility.

"Notching out," the precise elimination of problem frequencies for feedback or hum removal without affecting neighboring frequencies, is one of many common and invaluable applications for this EQ.

Behringer Has the Solutions
Be honest: have induced interference or transmission losses due to lengthy cables ever made you want to scream (or worse)?

Here's the answer: the Ultragain Pro's "Direct Inject Box" function permanently commits these deadly effects to history, converting unbalanced instrument signals into clean, balanced signals. Another vital element is the soft mute function for the +48V phantom power, which effectively suppresses switching noises and pampers your microphones, speakers and nerves. Low-frequency signals like impact noise can also deteriorate your audio quality and damage your gear. A switchable low-cut filter with a sweepable range from 15 to 320Hz provides efficient low-frequency attenuation and removal of unwanted noise.

Applications Unlimited: The Ultragain Pro as a Level Converter
The Ultragain Pro provides excellent service when you need to convert home-recording levels (-10dBV) to the professional standard (+4dBu) -- just one more example of its outstanding functionality.

Ultragain Pro MIC2200: Audio Purity at its Best!

Technical Info

Audio Input
Microphone:
Connectors: XLR

Type: transformerless, DC-decoupled input

Impedance: 3k Ohms balanced

Maximum input level: +10dBu balanced and unbalanced

CMRR typ.: 40dB, >55dB @ 1kHz

Line:
Connectors: XLR and 1/4 in. jack

Type: transformerless, DC-decoupled input

Impedance: 60k Ohms balanced

Maximum input level: +23dBu balanced and unbalanced

CMRR typ.: 40dB, >55dB @ 1kHz

Audio Output
Connectors: XLR and 1/4 in. jack

Type: electronically servo-balanced output stage

Impedance: 60 Ohms balanced, 30 Ohm unbalanced

Maximum output level: +21dBu balanced and unbalanced

System Specifications
Frequency response: 10Hz to 200kHz, +/- 3dB

Noise: > 94dBu, unweighted, 22Hz to 22kHz

THD: 0.011 % typ. @ +4dBu, 1kHz, Gain 1

IMD: 0.01 % typ. SMPTE

Crosstalk: < -88dB, 22Hz to 22kHz

Function Controls
Mic gain: variable (+10dB to +60dB)

Frequency: (lo cut) variable (12 to 320Hz)

Frequency: (PEQ) variable (10Hz to 20kHz), dependent on x 10 and x 0.1 switch

Bandwidth: variable (0.03 to 2 octaves)

Level: variable (-15dB to +15dB)

Output: variable (-20dB to +20dB)

Function Switches
+48V activates phantom power

Mic/line switches from line to mic preamplifier

Phase rev. phase reverse (180 degrees)

Lo cut activates the high-pass filter

x 0.1 switches the frequency control to 10Hz - 200Hz

x 10 switches the frequency control to 1kHz - 20kHz

EQ in/out activates the parametric filter

Indicators
Clip: clipping control LED

Output level: 12-segment LED display: -30/-24/-18/-12/-6/-3/0/+3/+6/+9/+12/+18 dB

function switch: LED indicator of every switch

Power Supply
Mains voltages: USA/Canada 120V ~, 60Hz

UK/Australia: 240V ~, 50Hz

Europe: 230V ~, 50Hz

General export model: 100 - 120V ~, 200 - 240V ~, 50 - 60Hz

Power consumption max.: 20 Watts

Fuse: 100 - 120V ~: T 500 mA H

200 - 240V ~: T 250 mA H

Mains connection: standard IEC receptacle

Physical
Dimension (H x W x D): 44.5 x 482.6 x 217 mm (1-
A 2-channel mic preamp with phantom power and phase reverse, plus parametric EQ! Also works as a direct input or line level converter. XLR and TRS balanced analog I/O.

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