71 new algorithms. 11 effect combinations.
86 People rated this product : 8 out of 10
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12 People wrote reviews |
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 10 out of 10
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Feature:
You can do "almost" anything with it--but still "10" worthy on my scale.
Quality:
Well made. The knobs have a good feel on their turn. I bought this thinking I'd use it for home recording only. Shortly after I found an amp by Behringer that had all of the effects I'd need (ACX1000 Ultracoustic). If you don't have a rack or studio, but are only home recording--like I am--an amp with onboard effects is much more durable and accessible...I made a mistake. I'm going to sell the Virtualizer Pro soon now that I've ordered the Behringer Ultracoustic amp with the same effects and XLR microphone cable input. This way I can use the amp for recording or live shows. The virtualizer, meant to be mounted on a rack, would not be good to carry to a gig.
Value:
I got it B-Stock and it was as-new and well packaged. It beats the market for it's versatility, quality and price. You don't get the manual with B-Stock, but you can download it from Behringers web site.
Desirability:
It looks and works nice, but again, it doesn't fit too well for home recording (unless you have a rack to hold it, which I don't). I may end up selling it.
Sound:
The sound is great. Tons of neat effects; superb reverb and delay effects with loads of versatility. You can change and tweak your effects to fit your music. This features more reverb and delay effects than the others. MY SUGGESTION: Realistically, If all you want is reverb, get a Behringer or other brand device JUST for reverb...or if all you want is delay, get a device just for delay. If you'll enjoy and use the many effects, than go for it this one. This is an excellent and very affordable, high quality, effects processor with LOTS of options.
Overall:
I'm happy with it, but I soon decided an amp with a mic input and onboard effect was better for home recording. I may keep it and run it through my mixer on a second condenser microphone.
Submitted: 2/22/2005
Style of Music: Folk Rock/Gospel
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![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() 7 out of 10
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Feature:
Not skimpy on the features, I haven't really dug into them enough to see how useful they are.
Quality:
Mine was a B-stock and was in perfect shape. Not a bad looking unit, has that trademark Behringer look, though, so if you're a Behringer hater, you'll hate it.
Value:
Compared to other new units, it's the price that will draw you to it (it did me), but you can get used Lexicons online for around this price and will most likely prefer their reverb sound, if reverb is your main reason for buying this.
Desirability:
It's aesthetically like most other Behringer boxes, and its specs are like most rack-mount DSPs.
Sound:
I haven't gotten into the depths of this unit yet and started tweaking, but the 200 presets have a lot of "sameness" about them, and in my rig (using it as an outboard FX for an AW416) they tend to sound very brittle and tinny, unlike the warmth you get with a Lexicon. Certain psychoacoustic FX, like subbass, can add a cool sound to a track or overall mix, but others, like ultrawide, just add an amazing amount of high end.
Overall:
Obviously this unit's selling point is it's price/feature ratio, but unfortunately I'm not all that happy with the sound, which is REALLY the prime consideration in audio, eh? I'll continue to work with it until I find an EQ setting that compliments it, but right out of the box, I rate it about a "7."
Submitted: 10/19/2004
Style of Music: Rock, Country, Electronic
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