With Q control.
27 People rated this product : 7 out of 10
5 People wrote reviews









5 out of 10
Feature:
Just 2 knobs both in which could be improved on
Quality:
My starting crackling then would go in and out then would change in volume in finally broke, i did tour with it and had it for almost a year but still all my other pedals are fine including my origonal cry baby for my guitar which came on tour and is 6 years old
Value:
I got it used for $50 so it did what it had to do but I wouldnt drop $100 bucks on it there are better wahs out there
Desirability:
its a pedal what more do you want
Sound:
The levels could never be set perfect enough either when you used it the volume when too high or too low, and the first few milimeters the bass always was the same just at a higher or lower volume and the Q knob didnt do all as much as it should
Ease of Use:
Easy to use kinda cept your only option is to start in the base position and go foward but if thats your style..
Support:
never delt with them
Overall:
the fact is there are simply alot better wahs out there, Snarling Dog makes a great way I went from this to the Booty Collins Signiture Wah and that has 10x more options, more range, better tone, an overdrive and it has on/off LEDs not to mention its just cooler looking as well
Submitted: 5/13/2007
Style of Music: All









7 out of 10
Feature:
The activation method (an IR sensor, not a footswitch like regular wahs) is a gift and a curse. Sometimes I wanted a funkier tone and stepped on the pedal all the way, but that meant my foot was kind of locked down and I couldn't employ my other effects. On the other hand, there's no 'clicking-off' required like on regular wahs. There is a slight lag with the effect of the wah if you activate the pedal very quickly, which might cause you to come in about halfway through the pedal sweep.
Quality:
The one thing that really bothered me about this pedal is that the teeth that rotate the potentiometer are /covered/ in a white lubricant. If the lube gets dirty /at all/, it can cause some major-league issues with pedal springiness.
Value:
For what you're paying, it's a great pedal; however, us bassists really have to shell out the bucks if we want /any/ good effect. If you're thinking about buying something else, go with the MXR Auto-Wah version of this pedal. It's got a lot of the same controls, but it's an envelope filter.
Desirability:
It's kind of a bland pedal, but it sticks out in a nearly all-black pedal chain (like mine). It's also very initially impressive and kind of...bold? That's a good word to describe it.
Sound:
The sound is okay. It works extremely well in the bass' midrange (anywhere in the middle of the neck or the A & D strings), but the low end sounds way too hollow, even after you mess with the Q control. There's also a really nasty point in the motion of the pedal where you get an earful of feedback if the Q's set to bring out your high end.
Ease of Use:
This is a very straightforward product, and it's great on it's own. Interfacing with other products, especially distortion/overdrive, can cause some less-than-desirable feedback noise. Worked almost too well with my chorus (Boss CEB-1) pedal, making some tripped-out synth sounds.
Overall:
I've sadly had this unit stolen from me and wish to purchase another wah, but my upcoming studio date has me wanting something much more high-end than this. It's a great unit for beginners and intermediates, but four-string veterans need to hunker down and spend some extra cash.
Submitted: 12/4/2006
Style of Music: Funk, Jazz, Indie Rock & Electronica
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