ART Pro Channel Microphone Preamp and Compressor (Model 215)

Professional tube-based microphone/line recording channel. 3 independent world-class modules: tube mic pre, switchable optical/ variable mu compressor, and tube EQ. Warm, smooth, and silky sound quality.

Item: ART215

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customer reviews

Rate and Review This Product:

31 People rated this product : * * * * * * * * * * 7 out of 10

7 People wrote reviews

* * * * * * * * * * 9 out of 10

"If you can't afford $1500 for a preamp, then this is what you need."

Feature:
For the price, I don't think you'll find anything close to this for features. The only thing that's missing for me would be variable impedance, and more attack/release control on the compressor. However the compressor as it is still performs exceptionally will. The option to have optical or tube compression is nice.

Quality:
I gave this a ten, simply because for the price you won't find anything better than this. This is IT. Like other reviews have said, you'd have to spend $1000 more to get anything noticeably better. For the guys who said they are getting a lot of noise... you don't know how to use it. The one thing to make sure of is that you use the Hi-Z output so you don't have to add another gain stage going into your DAW. The only problem I've had with this unit was that for a while the compressor was taking around 5 minutes to kick in after turning it on. The problem went away on it's own, so I never ended up doing anything about it.

Value:
Like I said... for the price, this is IT.

Desirability:
It's no Avalon, as far as sex appeal goes, but it does come across as a serious piece of gear to people in the studio.

Sound:
Very clean sound. EQ works just like it should. The compressor is quite transparent - much better than most bundled software plug-ins. The tube preamp is very clean, only colors sound when it is nearing overdrive but even then still produces a pleasing sound.

Ease of Use:
Read the manual. If you already know how to run a channel strip, this will be no problem.

Support:
Haven't needed it yet.

Overall:
The price has dropped since I got mine around 2 years ago. I'll probably buy another one soon.

Submitted: 7/9/2008

Style of Music: Rock, Pop, Electronic

* * * * * * * * * * 5 out of 10

"POTENTIOMETERS ARE GARBAGE BUT THE FEATURE SET AND SOUND IS GREAT WHEN FIXED"

Feature:
A great combination of features.

Quality:
Ok...here's my story. I ordered one of the these in the US but I live in Canada...no problem really. I got the unit and started using it but it sounded brighter than other preamps I tried. After using it just a few times my mic sound started giving me intermittent problem - no sound alternating with screaming loud sound and noise. Ok... here's where living in Canada is a problem in situations like this. I should have sent the unit back for repairs (I think their support is probably good). However, I did not want to ship it across the border and wait for it's return from across the border... so I took it apart to see if it was a simple problem (I have a reasonable amount of knowledge in this although I'm not a repair person). There is a circuit board inside that contains all the potentiometers (all the control knobs for the front). I quickly found that if I pressed this board the sound would cut in and out. This board has a 40 pin connector so I took the board out of the unit. This board has virtually no electronics parts (just the potentiometers) so I suspected that the board had some poor solder joints or perhaps a crack in one or more of the traces. I redid all the soldering and was testing resistance values when I noticed that I was getting infinite resistance on a number of the potentiometers (there are 11 pots). I squeezed (physically) the pots while checking their resistance values and the resistance across the pots would jump to the correct values. Eventually I pulled 9 of the 11 pots (2 of them are sort of unique and appear to be quite different). I replaced the pots with ones I purchased locally (about $1.50 each) and the unit works perfectly now. I'm shocked to think that ART would put so much effort into designing and building a unit that has good quality parts except for the controls! So...if you have one of these units, check the potentiometers - they are garbage. If you have questions, email me at martin.mcgeough@gmail.com

Value:
Great value if you can get beyond the problems I mention above. I can't say what it's truly worth...if people have problems is ART willing to fix all these?

Desirability:
I like how the product functions now...it took me a lot of time to get to this point with the unit however.

Sound:
When I finally got this unit working properly it sounds quite good and has a lot of flexibility of use. PLEASE READ BELOW!

Ease of Use:
Pretty easy - if you're using this you probably have an idea of most of the features are used.

Support:
After 2 emails they simply sent me the schematics I asked for.

Overall:
If I knew the build quality was so poor I would have looked for something else - if you can get through these problems quickly, it represents good value.

Submitted: 4/6/2008

Style of Music: rock, etc.

Read all reviews...

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About This Product!
Description
Docs
From Our Catalog
News
The Pro Channel from ART is the latest offering from the world's most popular tube dynamics processing manufacturer. ART engineers have combined the world-renowned Pro MPA, Pro VLA, and Tube EQ into a single product - creating the world's best-sounding and most affordable professional recording channel.

The Pro Channel features many new and exciting design enhancements to ART's pro and home studio staples, including the addition of a Variable Mu circuit to the compressor module. The Pro Channel allows you to select between ART's award winning optical/tube compressor or the coveted Variable Mu circuit (a design made popular by the sound of the old broadcast limiters - now costing thousands of dollars).

The Variable Mu circuit is fast, fat, and a bit aggressive, and is guaranteed to become a legend among compressors as has the Pro VLA. The four-band parametric equalizer has selectable Q for the two sweepable mid-bands. As with all design elements of the Pro Channel, these Q options were fine-tuned by some of the industry's top studio and live-sound engineers. Likewise, all new additions were made without compromise to the sound of the original designs (Pro MPA, Pro VLA, Tube EQ), which have become standards in professional studios and FOH rigs around the globe.

The Pro Channel defines the term channel strip. The Pro Channel is an impressive package from the world-wide leaders in tube dynamics signal-processing gear. Pick one up and catch your own tube-buzz at your favorite ART dealer today.

Features
Professional, tube-based microphone/line recording channel.

3 independent world-class modules: tube mic pre, switchable optical/ variable mu compressor, and tube EQ.

Warm, smooth, and silky sound quality.

Precision detented potentiometers.

Selectable VU Metering (mic pre out, compressor out, or Main Out)

Tube Character and Gain Reduction LED Arrays

Balanced XLR and unbalanced 1/4 inch inputs and outputs

Insert Points between Preamp and Compressor, and Compressor and EQ

3 hand-selected vacuum tubes

Professional signal processing for use with any analog or digital recording format

Exceptional processing channel for any line or instrument level signal

5-year warranty

Applications
Professional recording studios, project studios, and home studios

DI Box for instruments

FOH Sound Systems

Digital Audio Workstations and Computer Recording

MIDI recording and samplers

Voice-Over, Broadcast, and Edit Suites

Technical Info

Dimensions: 6.5" D x 19" W x 3.50" H
Weight: 12.0 lbs
Maximum Gain: XLR to XLR: 83dB; 1/4" to 1/4": 65dB
Dynamic Range: >100dB (20-20KHz)
Frequency Response: 10Hz to 20KHz (± .5dB)
Low-Cut Filter Variable: -3dB@10Hz to 250Hz
Input/Output Connections: XLR balanced & 1/4" unbalanced
Insert Connections: 1/4" unbalanced
Input Impedance: 1.67k ohms (XLR), 1M ohm (1/4")
Output Impedance: 600 ohms (XLR), 300 ohms (1/4")
Maximum Input Level: +15dBu (XLR), +21dBu (1/4")
Maximum Output Level:+27dBu (XLR), +22dBu (1/4")
Equivalent Input Noise: -130dBu (XLR to XLR, "A" weighted)
Phantom Power: +48v DC (switchable)
Compression Ratio Variable: 2:1 to >10:1
Attack Time Fast: 2ms (optical), 0.5ms (vari-mu)
Slow: 15ms (for 20dB of comp)
Release Time Fast: 300ms, Auto: 100ms-3sec
Maximum Compression: 30 dB (optical), 23dB (vari-mu)
EQ Frequency Bands Low Shelf: 40Hz/120Hz selectable
Low-Mid: Sweepable 20Hz to 200Hz/ 200Hz to 2KHz
Low-Mid Q: Wide/Narrow selectable
High-Mid Sweepable: 200Hz to 2KHz/ 2KHz to 20KHz
High-Mid Q: Wide/Narrow selectable
High Shelf: 6KHz/18KHz selectable
Boost and Cut/Frequency Band: ±12dB (wide), ±20dB (narrow)
Total Harmonic Distortion (THD): <0.1% (typical)
Tubes: 3 hand-selected
Power Requirements: 100-125 VAC, 30W (Export units configured for country of destination)
All of your ART favorites in a single channel strip! The tube preamp of the Pro MPA, the optical/tube compressor of the Pro VLA, and the 4-band parametric Tube EQ are all here, with the warm, silky sound you've come to expect. XLR and 1/4" I/O.
  • 09/18
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