Velocity-sensitive hammer action keyboard. 60 notes maximum polyphony.
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4 payments of $224.75Korg brings a heightened level of realism and feel to its line of portable digital pianos with the new SP-250.The SP-250 provides an expanded range of expression and performance with an outstanding new stereo piano sound, which is matched to a third-generation RH3 graded action keyboard. The SP-250 Digital Piano is the perfect answer for any pianist looking for rich piano sounds and the convenience of a lightweight, portable instrument. Learn More...
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64 People rated this product : 7 out of 10
3 People wrote reviews









3 out of 10
Feature:
The half-pedaling option sounds appealing, but who cares if it doesn't sound like a piano to begin with. Inclusion of a metronome is nice.
Value:
It wouldn't be a bad practice instrument in a classroom setting -- if the keyboard is very good. I have only listened to the demos and read the manual.
Sound:
If you're looking for something that actually sounds like a piano, make sure you listen to the MP3s on this site. The piano sounds as if they're looping a very short sample for the sustain and sticking on a separate attack. The overall impression is almost totally fake. Entirely unacceptable for solo work. Note that while they advertise 60-note polyphony, the primary piano sound takes 2 oscillators per note.
Overall:
I've been looking for something to replace my old Kurzweil Micropiano module and battered Fatar keyboard. This isn't it.
Submitted: 2/10/2005
Style of Music: baroque/classical/pre-baroque









3 out of 10
Feature:
It did not include accessories, the lack of ability to split the keyboard is curious. The midi implementation is from the dinosaur era
Quality:
I can be a bit roough on my gear, one output channel has gone out and since I Have to run stereo or go crazy that is a drag. Generally, though, the product was well designed to take typical wear and tear and has a clean, simplicity of design
Value:
No
Sound:
THe separation in the layering of the samples is too abrupt. A good electronic piano should have at least 5 layers of dynamic sampling. This seems to have just two, there does not seem to have a good mezzo-forte or mezzo-piano. In addition, not enough samples are taken of the full range. The upper midrange is often tinny while the bass is booming. To compensate, I run the piano through a stereo Crown amp and have one side go to a Peavey 12 cabinet (which is a bit mid-rangy) add run the other side through a Yamaha 12 in cabinet (both have horns and passive cross-overs). The result is fairly good. If you are using an electric piano and not using a good stereo rig you are being quite foolish and getting about 10 cents on the dollar for what you paid for the piano. Put your money on your sound reinforcement first!
Support:
I have not
Overall:
I will buy a new piano as soon as I am reasonably sure that there are more than 3 sample levels (The Yamaha 250, which seems to be the best, still only has 3). I figure I will use the Korg for 2 or 3 more years
Submitted: 4/30/2004
Style of Music: jazz, R and B, Classical
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"Quick, easy; it was shipped in perfect shape and packaged well. You are now my go-to!" - customer on August 19, 2008
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