EQ enhance, pad, and 48V phantom power on every channel.
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4 payments of $149.98
Loaded with direct outputs and inserts on every channel, the DigiMax FS is the perfect hardware expansion for your FireStudio 1818 or any digital recording system with optical light pipe expansion capability. Learn More...
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10 People rated this product : 7 out of 10
3 People wrote reviews









6 out of 10
Feature:
I was SORELY dissapointed that the ADAT out is disabled when running at 96khz. Someone else complained in the review of this product that it ONLY did 4 channels at 96k over lightpipe, but this is incorrect. It doesn't do it at all, instead you have to use the AES/EBU outputs. A call to presonus confirmed this. I had assumed that this product would have two lightpipe connectors, or at least one that did 4 channels. Unfortunately the manual on the presonus website is for the old, discontinued digimax, as was the manual that was included with the piece.
This type of product was created to accompany the DIGI 001, motu 828 and simmilar products that have ADAT lightpipe inputs. It doesn't make any sense for presonus to not support lightpipe when running at 96khz, which is supposed to be the biggest, most important feature of the digimax *96*.
Quality:
Everything except the ADAT connector rocked
Value:
The limiters, the preamps, and even the enhance features on this unit work very well. If you were running at 48khz, or had 4 stereo aes/ebu inputs, this would be an excellent piece for the money.
Desirability:
I'm much less enthusiastic about this product than I was before getting to use it. The entire purpose of getting the 96khz version of the digimax was to run at 96khz.
Sound:
The preamps sounded really good, I used this on a session for some toms and they sounded huge. Very clean, no complaints at all about the quality of the sound.
Support:
When I finally called presonus, they were very quick to let me know that their product didn't do what I thought it did. Their pre-purchase support could use a lot of improvement though, such as an online manual that actually covered their specific product rather than it's predecessor, or at least a full explanation of the 96khz features on their website.
Overall:
I used this product for a 3 day session, and once I sorted out the ADAT issue it worked really well, but because of the ADAT problem I really had to re-evaluate how much I needed or wanted this product. Since I had to trick it to run at 48khz anyways, I would probably rather get the digimax LT, assuming it's preamps are just as good. But, more likely I'll just save up for the focusrite ISA 424, which is 4 channels that use the 96khz split bit adat standard.
Submitted: 8/1/2004
Style of Music: Hard Rock









9 out of 10
Feature:
The digital output is poorly designed. You can only get four channels onto the lightpipe-out at 96 kHz! The Focusrite is better at this. The pad feature is great and VERY well implemented in circuitry. The "enhance" feature is downright silly- the whole point of multitracking is that you don't HAVE to use EQ or (much) dymanics while recording.
Quality:
Well made. Presonus is great about repair and providing parts when necessary.
Value:
Good value.
Sound:
Good sound. The actual front end to the preamp is a TI INA163, which is top-notch. Unfortunately, noise performance is disappointing compared to the Focusrite octopre.
Support:
Absolutely fantastic customer support.
Overall:
Very well designed; the preamp itself is nice and compact.
Submitted: 3/5/2004
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