Roland Fantom-G6 61-Key Sampling Workstation

Advanced sound engine with double wave capacity of previous Fantoms. ARXexpansion ready.

Item: ROLFANTOMG6

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customer reviews

Rate and Review This Product:

28 People rated this product : * * * * * * * * * * 8 out of 10

4 People wrote reviews

* * * * * * * * * * 10 out of 10

"Just buy it already........"

Feature:
Features are beautiful & amazing. There's just about every effect you can think of on here. The sequencer this beast is simular to logic &/or protools. Very nyce & well thought out.

Quality:
The quality is very sexxxy. It would hold up very well for on the road use. Very duarable & well built. I love the way Roland builds all their products.

Value:
The value is ok. It's worth it, but people want deals. If you have no music epuipment. Such as, If you dont have a sequencer, sound library, or a computer. This would well be worth just purchasing this workstation.

Desirability:
I would want this if i didn't already have my iMAC or all my midi & software sounds.

Sound:
The sounds are AMAZING! This workstation would fit anyones musical style. The sound live vs recording would be the same & would put on a hell of show. The effects & settings are perfect. I would & do recommend this workstation to anyone

Ease of Use:
Ease of use is perfect. It's pretty straight foward to know how to use.

Support:
As for support. I never use them too much. But when I do they are very clear & helpful with any & every question you have

Overall:
I was very satisfied when i messed with this. Excellent build, amazing sounds, ease of use is perfect, the sequencer is just plain beautiful. I recommend it & i dont even own one. Thats pretty good because it's hard for me to recommend anything because i am so hard on products that come out.

Submitted: 6/2/2008

Style of Music: Hip-Hop/PoP/Rock

* * * * * * * * * * 10 out of 10

"Fantastic Machine, nothing to fear with this one."

Feature:
I am truly in awe when I play with this board - still. The exapandability is a great feature, the sound engine itself is great, the ease of recording audio with midi is great; the LCD is very impressive looking and even better in terms of it's practical use. I don't know how I ever got along without such a big beautiful display! Tons of sounds and ease of recording make this a great composing machine. I do sound for film and this baby works great for my workflow. From sampling for foley to voice overs and simple pads, this thing is really great. The display is just awesome to look at. They did a great job with the layout and colors and use of pictures. THere is a lot to it so it takes some getting used to but like any good machine once you have yer mind around it the basics will quickly become second nature. If you've spent any time with some if the recent (last ten years) music workstations you will quickly grasp the concepts and features of this machine, but will likely spend a long time learning and exploring the nuances. To me, thats a good thing!

Quality:
Roland stuff is generally very good. I still have the first Roland product (SH09 synth / keyboard) I bought, circa 1978 and it works fine. I have other Roland products - never had a problem with any of them. This unit seems to be well made and has a very solid feel about it. The brushed alum face is sweet - its technical and modern yet not austentatious. Who uses that word anyway. But seriously, the way the display is integrated into the face is nice and seems like it will be durable. Time will tell, but I'm not a bit concerned about the durability of this unit.

Value:
It is right in the ballpark with the competing workstations, i.e. triton, motif, etc. I love this thing. I don't see how anyone wouldn't like this thing. It's a great machine. It reflects the years and years of experience that Roland has - thats probably the best thing about this machine - it's the best of everything! Geez, now I really sound like Roland sales guy. I promise I'm not. I just love this machine that much, and if my input can help someone thinking about buying this machine, maybe allay their fears 'cause lets face it, this board aint exactly cheeap, then it's all good. I don't mind telling everyone how much I like this thing!

Desirability:
I wanted it enough to buy it! I don't lay down 2500 for just any product - it has to be good. But then I don't think twice about the price...it is what it is and, IMHO, they deserve to get whatever they can for this machine. Go Roland!

Sound:
The sound is very good. It may be a little on the predictable / Roland-esque side of the scale, but in all, it is recording-worthy, in my humble opinion. Since the ROM is all samples anyway it can sound like anything you need it to sound like. The factory presets are very good and easily and infinitely tweakable. The DSP is sweet - both the global 'verb and chorus, and the individual processes are great too. It is very deep.

Ease of Use:
The factory sounds are fine - suitable for at least some basic uses for sure. THe infinite tweakability is nice though, and if you like to mess with the factory patches to make them "your own" this board will satisfy. There are tons of user-defined storage locations. The display makes it easy to see a lot of info at once. The navigation via softkeys is easy to learn although this board is deep with tons of features. It will take a while to memorize the whole thing. For as powerful as it is, I'd have to say it is very easy to use. There are three basic modes, "Studio", "Live", and "Single". All of them are easy to use but Single is the easiest, most straight-forward or basic way of working with the machine. In Single mode you simply select from one of the 1664 preloaded patches and rock on! In Studio mode you can work with the 24 track mixer in "DAW style". Very cool. In Live mode you get eight patches that can be layered and / or split. Basically any patch can be assigned to any keyboard range. The Dynaic Pad area is cool too - it's another way to access patches parameter (i.e. "Part Mute"), or to invoke rhythm patterns, amoung many other things. ONe final note: as I'm writing this I have yet to open the owners manual! I was able to figure out all this other stuff without reading anything about it. I'd say that makes this thing about as easy as it could be, particularly for the depth and breadth of features and functionality it has. Dang, I ought to be a sales guys for them!

Support:
Nope

Overall:
I think I will be happy with this board for at least a few years...probably 10!

Submitted: 5/31/2008

Style of Music: Rock

Read all reviews...

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Buy a new Fantom-G6, G7 or G8 from Aug. 1st and Oct. 31, 2008 and get a free mouse and 1GB USB memory stick. Just register online at Roland's Backstage website.

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About This Product!
Description
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From Our Catalog
News
Introducing the most powerful and luxurious live workstation in Roland history. The Fantom-G is a dream instrument that redefines the boundaries of playability and creativity with its advanced sound engine, revolutionary ARX SuperNATURAL expansion bay, large-sized color LCD, powerful new audio/MIDI sequencer and more.

Features

Advanced sound engine with double wave capacity of previous flagship workstations

2 x ARXexpansion with SuperNATURAL — the world’s greatest performance-expression technology

Graphic user interface with extra-large 8.5 inch wide color LCD and mouse connectivity

Newly developed onboard audio/MIDI sequencer with 128 tracks, including 24 audio tracks

Multi-FX for each part; up to 22 effects routings can be programmed simultaneously

Heavy-duty casing with aluminum panel

Advanced Sound Engine
Driven by a powerful new audio processor, the Fantom-G provides new sonic depth and versatility. With twice the wave-ROM capacity of its predecessor, it contains a treasure trove of Roland’s world-famous SRX-quality sounds, but what really sets this instrument apart is its new ARX expansion, which allows additional SuperNATURAL sound-sets and fully dedicated synth and effects engines to be added to this already powerful live workstation.

SuperNATURAL ARX Expansion
Fantom-G provides ARX slots that accommodate two SuperNATURAL expansion boards. SuperNATURAL is Roland’s unique behavior-modeling technology that enables a new level of organic, emotional expression previously unattainable in synthesizers. Applied to traditional-instrument sounds, SuperNATURAL enables the delicate, organic tonal changes and playing nuances of real musical instruments. It’s also a powerful tool for electronic and non-traditional sounds, breathing amazing new life and expression into synthesis.

Power Sequencer Onboard
The Fantom-G is the first Roland instrument to feature Roland’s newly designed power sequencer. In conjunction with the large-size LCD, this pro-level composition tool provides 128 tracks (including 24 audio tracks) in a fully intergraded audio/MIDI graphical environment. A mouse can be also incorporated for computer-like speed and ease. Other convenient features include combo XLR and TRS connector, phantom power for condenser mics, Hi-Z input for guitar and bass, and line input.

Luxurious Extra-Wide LCD
One look and touch and you’ll know that the Fantom-G is an instrument without equal. Only the highest-quality materials have been used to create this dream synth, with a stylish, futuristic design that will turn heads. Front and center is the extra-large 8.5 inch wide TFT color LCD for enhanced productivity. A first-class assortment of hands- on controls is provided as well, including eight sliders, four knobs, and ten buttons below the LCD.

Amazing FX
Fantom-G is loaded with a state-of-the-art effects engine, with multi-effects available for each Fantom-G sound/part. In 16-part multi-timbre mode, up to 22 effect routings can be used simultaneously. Create complex setups with 16 insert effects per multi-timbral patch group, plus global reverbs and choruses. Mastering effects are provided for polishing songs created with the onboard sequencer.

Supreme Keyboard Feel & Action
The Fantom-G8 is outfitted with Roland’s top-of-the-line PHA II “Ivory Feel” keyboard. This amazing keyboard technology reproduces the real surface feel of ivory acoustic piano keys providing a familiar stability and comfort to the pianist. The white keys have a two-piece structure which reduces the developed keyboard surface material is designed to absorb moisture, ensuring a secure, slip-proof feel that your fingers will love.

Technical Info

Keyboard and Sound Generator Section
Keyboard: 61 keys, with velocity and channel aftertouch

Mamimum Polyphony: 128 voices, shared with the sampling section

Parts: 16 parts (Internal) + 16 parts (External) + 2 parts (ARX)+ 24 parts (Audio Track)

Wave Memory: 256MB (16-bit linear equivalent)

Waveforms: 2,153

Preset Memory:
- Patches: 1,500 + 256 (GM2)
- Rhythm Sets: 64 + 9 (GM2)
- Live Sets: 512
- Studio Sets: 128

User Memory per one project:
- Patches: 512
- Rhythm Sets: 64
- Live Sets: 512
- Studio Sets: 128

Effects:
- Patch Multi-Effects (PFX): 16 systems, 76 types
- Multi-Effects (MFX): 2 systems, 78 types
- Chorus: 1 system, 3 types
- Reverb: 1 system, 10 types
- Input Effects: 1 system, 6 types
- Mastering Effects: 1 system, 3-band compressor

Data Format: 16-bit linear, .WAV or .AIFF

Sampling Frequency: 44.1kHz

Maximum Sampling Time:
- When sampling memory isn't expanded (32MB): mono: 360 sec. approx., stereo: 180 sec. approx.
- When sampling memory is expanded with DIMM (544MB): mono: 108 min. approx., stereo: 54 min. approx.

Number of Samples per one project: 2,000

Sequencer Section
Tracks:
- MIDI tracks (Internal/External/ARX): max. 128
- Audio track: max. 24
- Tempo track: 1
- Beat track: 1

Resolution: 480 TPQN

Tempo: 5.00 to 300.00

Song per one project: 50

Phrase per one project: 2,000

Note Capacity per one project: approx. 1,000,000 notes

Song Length: 9,998 measures

Recording Method:
- Realtime recording
- Step recording

Controllers
Pitch Bend/Modulation Lever

Control Knob x 4

Control Slider x 8

Assignable Switch x 2

D Beam Controller

Connectors
Headphones Jack: Stereo 1/4 inch phone type

A (MIX) Output Jacks (L/MONO, R): 1/4 inch TRS phone type

B Output Jacks (L, R): 1/4 inch phone type

Input Jacks (L/MONO/MIC, R): 1/4 inch phone type

Mic./Guitar Input Jacks: 1/4 inch phone type / XLR type (Phantom power)(Hi-Z)

Pedal Jacks:
- Hold Pedal Jack (Half Pedal recognition)
- Control Pedal Jack (assignable) x 2

MIDI Connectors: IN, OUT, THRU

USB Connectors:
- USB Computer Connector (supports file transfer or mass storage class, and Audio/MIDI)
- USB Mouse Connector

Digital Audio Interface: COAXIAL INPUT / OUTPUT

Other
Display: Graphic Type, 8.5 inch, Wide VGA (800 x 480 dots), backlit LCD (Color)

Pads: 16 pads, Velocity and Polyphonic Aftertouch sensitive

Expansion for sound generator: ARX expansion boards: 2 slots

Expansion for sampling memory: DIMM: 1 slot, supports PC133, CL=2/3, 3.3 V, 128MB, 256MB, 512MB

External Storage Device: USB Flash Memory

Power Supply: AC 117 V, AC 230 V, AC 240 V (50/60Hz), AC 220 V (60Hz)

Power Consumption: 30 W

Included Accessories
Owner's Manual

CD-ROM (Editor, USB MIDI driver)

Power Cord

Size and Weight
Width: 42 inches (1,066 mm)

Depth: 16-3/16 inches (411 mm)

Height: 5-5/8 inches (142 mm)

Weight: 32 lbs. (14.5 kg)
Roland has a long history of keyboard innovation, and the new Fantom G-series continues the tradition. With a brand-new sound engine and double the wave capacity of the X-series, this keyboard is Roland's most advanced workstation ever! All your favorite Fantom and SRX sounds are built right into the new Fantom G, so you're ready to make music, right out of the box. That's not to say there's no room for expansion. Roland's latest SuperNatural ARX expansion cards offer dedicated synth and effects processing for the most detailed, organic expression you've ever heard from a workstation. Everything is readily accessible through the panoramic color LCD screen, hands-on controls, and integrated mouse support. You'll quickly become one with the interface, navigating fluidly without interrupting your workflow. New pitch-bend modes provide more detailed expression. Build realistic guitar parts, bending one note in a chord while the others stay the same! For complete control over your compositions, look no further than Roland's new Power Sequencer. Mix up to 128 tracks, including 24 audio tracks, right inside the workstation! The combo XLR/TRS jack makes it easy to record guitars and vocals, and there's even phantom power for condenser microphones. A USB computer connection makes it easy to import tracks into the Power Sequencer, or export your music for distribution. You get 22 onboard effects, plus mastering tools for polishing your final product. From patch-sequencing to live performance, your sounds are identical. You can even layer up to 8 patches, which will continue to sound as you segue into the next performance. This gives you seamless control from one part to the next, with no awkward breaks in the music! All Fantom-G workstations have velocity and channel aftertouch, but the G8 adds Progressive Hammer Action and the new Ivory Feel keys for a realistic acoustic-piano experience.

61 Keys; with velocity and channel aftertouch.
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