Feature:
Way more stuff than I need. The tuner isn't bad, but isn't close enough for classical work (I use my ears, anyway). Different mp3 bitrates are great. 96KHz WAV would be nice if it meant anything with the signal/noise ratio of devices like these. It doesn't. Really, the 24/48 setting already slightly exceeds the analog capabilities of the unit.
90 / 120 degree mic patterns are nice. Played around with others, but not enough to say much beyond that you can record out of both sides of the thing at once.
Would have been GREAT -- awesome, even -- if they'd have included even the most rudimentary multitrack feature on this thing (like the h4), but no other unit does, so you can't fault Zoom too much.
Quality:
Worst aspect of quality: Plastic slider switches (like mic LMH) don't have clear detents -- these feel like they came off a toy.
The membrane switches feel fine -- if they last. I don't have much experience with these. Don't know if a plastic film will help.
Mics aren't shock-mounted (see handling noise above), but otherwise nothing feels like it'll fall apart. It's lightweight and plastic, but it's compact, sans protrusions.
Value:
$100 less than an Edirol R-09, and I can't think of any advantages the R-09 might have. I haven't used and R-09 myself, though.
Desirability:
It's about the right size -- small enough to one-hand operate, just big enough not to be too tiny. Nice enough aesthetic (preferable to the H4). Mic configuration features are cool. The fact that you can make good stereo recordings AND transfer to computer (unlike the old Minidiscs) is the best thing, really.
Sound:
Sound with the built-in mics is very, very good for built in mics. I recorded a full orchestra rehearsal with surprising fidelity. Cello practice/lessons also come out well, as do random sound effects (running water, etc.). Records in a variety of stereo patterns and pseudo "surround sound." That said, my ADK cardiod condensor ($150 mic) through an $80 tube preamp delivers warmer, clearer sound (though in mono) with more dynamic range.
Haven't used the tiny mic inputs, but I have my doubts about them from stuff I've read. The line-in, however, is very clean.
There is handling noise when pressing buttons, but I suspect this would be true of Edirol R-09 and all other similar units as well.
Mic "H" gain is too noisy to be much use. "L" will need a really loud source. "M" sounds good for most stuff.
Ease of Use:
Easy, easy. A couple of tiny things I'd change, but not much.
Support:
No experience, so I give them a neutral "5".
Overall:
I paid $190 for this new. If the mics were decently shockmounted and the switches more solid, I'd have paid another $50 no problem. If they implemented a very basic 4-track on top of that, another $30-$50 on top of that. I hope the membrane switches last (they feel better than I expected, but still...). Oh! and the headphone output could be better (louder!). XLR inputs? Yeah, but then we'd be making it into something else...
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